Category Archives: fantasy

Books that are in the “fantasy” genre.

Review 206: Cold Days

LL 206 - Dresden 14 - Cold DaysCold Days by Jim Butcher

Hells Bells count: 35

Be Warned: This is a new volume, so if you’re not up to date then you might want to save this one for later!

Sometimes I wonder how much Jim Butcher had planned in advance. I mean, this is book number fourteen of a series that’s been going for twelve years. Whether he’s got a giant, intricate plot map pinned up along the walls of his writing office or he’s making things up as they go along, I’m impressed. As we get further into the exciting life and times of Harry Dresden, one thing that is clear is that the series has always been moving in a very clear direction, and that the things that came before are what inform the things that come later. Jim Butcher is not a wasteful author, and that gives him the ability to do a lot of really impressive things.

As we open this story, Harry Dresden is no longer dead. He was, sort of, and had all kinds of grand fun as a ghost, but now he’s alive and it’s time for him to start paying off the debts that he incurred in the process of dying. The first of these debts is to Mab, the great and terrible queen of the Winter Faerie.

Not this kind of Winter Knight, but it'll do.

Not this kind of Winter Knight, but it’ll do.

Many, many books ago, Mab offered Harry the position of the Winter Knight – a mortal who would be the strong arm of the queen. He would be her sword, to strike where she pointed. Harry refused until he could refuse no longer, taking on that mantle in exchange for the power that would allow him to rid the world of the Red Court of vampires. And as much fun as vampire genocide is, that’s not really his job anymore. Now that he’s alive again and under no other obligations, Mab has a purpose for him. At its face, it is a terrible purpose, one that makes no sense and yet which Harry is obligated to fulfill.

On the other hand, there is Demonreach. Mab’s partner in keeping Harry Dresden’s body… let’s say viable while he was away as a ghost, Demonreach is the spirit of an island in the middle of Lake Michigan. This island isn’t on any maps, and it’s devilishly hard to find, but it represents a huge well of magical and spiritual power. This island needs Harry Dresden in order to do its duty. Demonreach is not just an obscure Brigadoon that enjoys hiding from the eyes of the unworthy – it is a guardian against powers that would ravage the world. If it is going to maintain its control and keep the peace, it needs Harry Dresden.

While all this is going on, we learn of a new force that is at play in the world. This is rather in keeping with the way the Dresden Files books have worked thus far. Every so often, our point of view is changed, and our field of vision is expanded. Way back in Storm Front, Harry Dresden was a small-time wizard investigator, not well-loved in the wizarding community but good at what he did, and that was pretty much all we saw. As the series progressed, we discovered more about the White Council of Wizards, the three Courts of Vampires, about the ever-feuding faerie realms of Winter and Summer. We went on to discover angels and demons and things that walked between them, ghosts and goblins and creatures that were just barely understandable by our mortal minds.

"KNOCK KNOCK"

“KNOCK KNOCK”

Now we take another step back, out beyond the borders of our reality as we know it. Outside our universe, there are… things. And those things want in. Why they want in is not really understood. Maybe this universe is more hospitable, maybe they’re just bored. All we know is that to let them in is to let reality as we know it die. That’s bad enough, but what is worse is the knowledge that some of them are already here. They’ve snuck under the walls, so to speak, and are carefully and busily undermining our defenses. In a game that is so intricate and dangerous, these things use great powers as pawns – including Harry Dresden – and look forward to their inevitable victory.

As with so many of the other Dresden Files books, this is a solid read, and you’ll fly right through it. Despite being vast in scope, encompassing the fate of the world as we know it, the book is still very personal, letting us follow Harry along the strange, winding path he has to walk whether he likes it or not. Harry has always been a dangerous guy to know, but now that he’s the Winter Knight, that danger is even greater. There are forces arrayed against him that he wouldn’t be able to understand even if he knew what they were, and simply being the Winter Knight is a challenge unto itself. Taking up that position doesn’t just come with awesome new powers and a direct line to some of the most powerful creatures in creation – not without a price. There are obligations as well. Rules and requirements. And, of course, dangers.

When he’s done, he’ll have more answers, and he’ll have more problems. Whatever comes next, we can be sure it will be even bigger and scarier than what has come before, and it’ll be a treat to see how he manages to beat it.

——
“I kept a straight face while my inner Neanderthal spluttered and then went on a mental rampage through a hypothetical produce section, knocking over shelves and spattering fruit everywhere in sheer frustration, screaming, ‘JUST TELL ME WHOSE SKULL TO CRACK WITH MY CLUB, DAMMIT!'”
– Harry Dresden

The Dresden Files on Wikipedia
Cold Days on Wikipedia
Cold Days on Amazon.com
Jim Butcher on Wikipedia
Harry Dresden on Wikipedia
Jim Butcher’s homepage

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Filed under Dresden Files, fairies, fantasy, Jim Butcher, magical realism, murder, wizardry

Review 203: Winter’s Heart (Wheel of Time 09)

Wheel of Time 09: Winter’s Heart by Robert Jordan

Just a note – you may consider this spoilery. Continue at your own risk.

We are continuing on with the series, and once again there’s a lot going on in the Westlands (which is the much better alternative name to “Randland.”). In Caemlyn, Elayne Trakand is busy preparing to become the Queen of Andor, as the world still believes that her mother, Morgase, is dead. She’s not, of course. She became a refugee after the Seanchan attack on Amador, became a Lady’s maid to Faile and Perrin, and subsequently became a captive of the Shaido Aiel, along with Faile and Alliandre, the Queen of Ghealdan. Not a good day for them, seeing as how the Shaido have become the worst that everyone expects of Aiel – murderous, thieving and vicious. Perrin is trying to rescue his wife, of course, but that rescue is not certain. Faile and Morgase will have to figure it out for themselves.

But getting back to Elayne – in Andor, she undergoes the ceremony to become first-sister to Aviendha, the Aiel woman with whom she must eventually share Rand al’Thor’s affections. It’s a great scene, that – a very simple procedure, but deep and meaningful as well. And it suggests a custom that I appreciate very much, having had friends that I consider on par with family. Under the direction of the Wise Ones of the Aiel, you become bonded with your friend and re-born, in a way. Forever after that, you are considered siblings, just as if you had come from the same mother.

Not all sisters want to make your life better.

Having a new sister isn’t going to make things all work out, though – Elayne has to cement her claim to the throne, and deal with an army of Borderlanders who really want to know where Rand is. Why, we don’t know yet. But from the looks of it, it can’t be all that good.

Meanwhile, in Ebou Dar, Mat has reappeared after the injuries he took during the Seanchan invasion. Still wrapped around Queen Tylin’s finger, Mat is looking for a way to get himself out of the city without getting himself or anyone else killed. What this ends up meaning is that he has to escape the city with three Aes Sedai who have been leashed and collared to serve as living weapons for the Seanchan – a crime punishable by death.

The Seanchan are still an interesting player in this series, even if the battle scenes in the last book were kind of dull. They are the descendants of Artur Hawkwing’s armies, vanished across the sea a thousand years ago. Through a millennium of fighting both men and monsters, they have become a formidable military force, held together by the damane – women who can channel, but who are considered less than human for all that. Controlled by other women, sul’dam, the damane are the heart of Seanchan power. No conventional army can stand up to them, and if it weren’t for Rand and his Asha’man, they would have overrun the Westlands already.

(art by minniearts on DeviantArt)

They control Ebou Dar, of course, but they do it in a manner similar to the Romans. They don’t try to change the conquered people, or break them. All they require is an understanding that they are now living under Seanchan rule. Respect the new rulers, obey the laws, pay your taxes and life need not go on any differently. Cause trouble, though, and the hammer will come down on you. Hard.

Even though their military advances are being slowed down, though, their cultural invasion is proceeding. This is not a mission of conquest for them – it’s a homecoming. With the soldiers and damane are also coming farmers and weavers and blacksmiths – normal people who want to make a new life for themselves. With the Westlands practically empty as they are, the Seanchan will have no trouble finding places to live. Right in time for the Last Battle against the Dark One, of course, but they don’t know about that yet. Regardless of how things turn out, the Westlands will never be the same after this.

Rand al’Thor is on a mission of his own, one which involves a great deal of misdirection. After the attack on his person by renegade Asha’man – in which a chunk of the Sun Palace in Cairhien was destroyed and a lot of people died – Rand has decided that enough is enough. This whole “doomed to go mad” thing that comes part and parcel with being a male channeler of the Source has got to go. So yes, he’s decided to cleanse saidin of the Dark One’s taint, but not before taking a detour into the island city-state of Far Madding, to hunt down the men who nearly killed him.

What can I say – the story advances. The plotlines being what they are, we do miss out a bit in this book. Perrin’s hunt for his wife gets cut short, narrative-wise, and we hardly see anything at all of Egwene and the rebel Aes Sedai. This was, if I remember, really annoying when the book first came out. Reading them all at once, however, it’s easier to deal with, knowing that the next book will refocus on people who’ve been out of the spotlight for a while. The parts that did get the most page-time, however, were interesting and, for the most part, exciting to read. So, a step up from Path of Daggers.

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“You can never know everything, and part of what you know is always wrong. Perhaps even the most important part. A portion of wisdom lies in knowing that. A portion of courage lies in going on anyway.”
– Lan Mandragoran, Winter’s Heart
————————————————–

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Winter’s Heart at Wikipedia
Wheel of Time at Wikipedia
Winter’s Heart at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

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Filed under adventure, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time, wizardry

Review 201: Unseen Academicals

Unseen Academicals by Terry Pratchett

Contrary to popular belief, I don’t hate sports.

I know this may come as a surprise, since I studiously avoid all but the most cursory acknowledgment of current sporting events. I finish the paper when I hit the sports section, and the sport report on the news is, for me, time to wash the dishes. I have no favorite teams of any kind, no players I look up to, and no interest in following play-offs, bowl games, championships or derbys. Hell, even with the Olympics my interest plummets after the opening ceremonies.

But I don’t hate sports.

You see, in order to hate something, you have to actually care about it. And that’s the thing about sports – I just don’t care.

There but for the grace of god go I…

I wasn’t always like this, of course. When I was a kid, I tried all kinds of sports. I tried (deep breath) baseball, basketball, skiing, swimming, sailing, soccer, tennis, golf and judo. And those were after school. In PE class we had all the usual PE things – volleyball, softball, track and field, running, archery, field hockey, dodgeball…. What it came down to was that I had no natural talent for sports [1] and, more importantly, I never had fun. I never saw the point of the whole thing, so I pretty much said “Bugger this,” and turned to other areas of entertainment, thereby sealing off the sporting world from my interest forever.

A lot of my friends do love their sports, though, so I try to keep a cursory understanding of things – you know, how many touchdowns there are in an inning, that kind of thing. I mean, there’s nothing more disappointing than trying to talk about something you love, something for which you have great passion and enthusiasm and having someone just ignore you, right?

RIGHT??

Anyway, I’m telling you all this so that you can correct for it when I tell you about Unseen Academicals, one of the latest of the Discworld books. If my attitude seems kind of lackluster or disinterested, keep in mind that it’s probably not Sir Terry’s fault.

The book, you see, is about football. Not the sissy-pants American kind where the guys are so afraid of grievous bodily harm that they wear protective armor all the time, but the good, old-fashioned British kind, wherein people get their heads cracked open by cobblestones and die on the streets. You know, fun for the whole family.

I believe the English refer to this as “a jolly good time.”

In the great and exciting city of Ankh-Morpork, footy is a tradition. It’s a lifestyle, in fact. Where you live determines who your team is, and who your team is tells you with whom you can associate and mingle. A supporter of one team wandering into the territory of another is a person asking to be beaten to death by enthusiastic and drunk hooligans. “Suicide,” I believe the police refer to it as. It’s a game that goes beyond the simple description of “rough and tumble.” It’s a substitute for war in a time where war is neither profitable nor productive. It’s a channel for long-standing feuds and grudges and aggressions, and is practiced religiously in the streets of the city every weekend.

So obviously what this grand, injurious tradition needs, then, is the introduction of wizardry.

The wizards of the Unseen University are forced, through a clause in a long-forgotten honorarium, to put together a football team and play a match. Despite most wizards having the athletic ability of an overstuffed beanbag chair, it’s either play the game or lose so much money that they’ll have to cut down to only three meals a day. So, with the help of the son of one of the greatest footballers in the city’s history, two cooks from the Night Kitchen and a young Orc who is trying to find value in his life, they put together a team and oh gods, I’m bored already.

Seriously, I couldn’t care less about football. The book’s not really even about football, to be honest. It’s about identity and self-image, two things that are inextricably tied up in sports and sports fandom. The book is a lot less subtle than usual, pretty much hitting you over the head with a mallet and saying, “You are who you choose to be!!” over and over again.

Actually, what gets said over and over again is a variation on “A leopard can’t change its shorts,” a kind of humorous eggcorn that loses its humorous value after about the fifth time it gets used in the book. But it’s pretty much the theme of the book – what is identity, and can it be changed?

How… romantic?

To explore this, we have, for example, Trevor Likely, the son of a famous (dead) footballer who has sworn to his (also dead) mother that he will never play football again after what happened to his father. He’s introduced as a young layabout, a lazy grifter who works very hard at not having to work, and desperately doesn’t want to live up to his responsibilities. Unfortunately for him , he falls in love with young Juliet, a beautiful – if somewhat dim – young woman who works in the Night Kitchen. Standing in the way of their love, however, is the fact that they support opposing teams, and her family would never allow her to see the young man if they knew.

Hmmm. Trev and Juliet. Doesn’t have the same ring, does it?

Also mixed up in this is Glenda, the head of the Night Kitchen, whose identity as a below-the-stairs cook is so ingrained into her head that trying to become something else is almost unthinkable. The wizards themselves face an identity crisis as well – the Dean has gone off and accepted the Archchancellor’s position at another university, and has now come back to try and stand as an equal to Ridcully, the head of the Unseen University.

At the center of the book is Nutt, a strange young person who possesses a mysterious past. He looks a little odd, has an enormous intelligence, and harbors an unshakable desire to acquire self-worth, even if he’s not entirely sure what that means.

All of these people are trying to figure out the same thing – who they are. Some of them are surprised by what they find, others dismayed. Nutt discovers that he is an Orc, a race of creatures so hated and reviled that he could be killed on sight. Juliet discovers that her beauty is her path out of the kitchens, Glenda that her desire to control others can be focused into something productive, and Trevor that the destiny he has avoided for so long is what he always should have been.

Threaded throughout all this is the love of the game, the dedication of these people to their football. Indeed, the identity of the game itself comes into play here as well – will it remain a violent street game, wherein the only rule is that there are no rules, or will it gain a sense of purpose and order? How will the old-school, bare-knuckle footy fans deal with the changes imposed upon their game by Lord Vetinari and the Wizards?

He’s really just misunderstood.

It’s hard for me to filter through the sports aspect of this book, which is disappointing because it’s something that a lot of people will probably enjoy. There’s something about the devotion to a sport or to a team that is very important to most people that I just don’t get, and so my general lack of interest in this book is entirely my fault, and not Terry’s. I enjoyed the identity theme, of course – that’s always a rich seam of storytelling material. Watching Nutt come to grips with his identity as an Orc, or Glenda realize that her entire sense of self has been culturally imposed upon her, well, that was fascinating. It’s just that there was a whole thematic element to the book that I couldn’t identify with and didn’t care about.

It’s kind of like listening to Mozart and wishing someone would just shut all those bloody violins up.

So, if you’re a fan of Discworld, pick this up. If you like sports, pick this up. If you don’t like sports, well, you take your chances. As a Pratchett completist, there was no question about reading this book. But I don’t think it’ll be one that I come back to very often.

It’s not you, Terry. It’s me.

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“It seems to me that we have a challenge. University against university. City, as it were, against city. Warfare, as it were, without the tedious necessity of picking up all those heads and limbs afterwards.”
– Lord Vetinari, Unseen Academicals
——————————————————————

Now give me one of these…

[1] I think I made it to first base once in my Little League career, and actually got hit on the head by a fly ball – which, I am given to understand, are the easiest to catch. I nearly drowned myself repeatedly trying to learn how to sail. I used to knock myself over trying to kick goals in soccer, my trick ankles pretty much meant that tennis and basketball and any other activity involving quick stops and starts were out, and I got tired of being thrown to the ground real fast in judo. If there was ever such thing as an anti-athlete, I was it. I feared to shake hands with the jocks because I thought we’d both vanish in a cloud of photons.

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Filed under Discworld, fantasy, identity, sports, Terry Pratchett

Review 199: The Killing Moon

The Killing Moon by N.K. Jemisin

I have two words for you: Ninja. Priests.

There you go, that should really be enough for you to go out and buy this book. I suppose if you need more, though, there is a whole “plot” and “world” and “characters” and stuff. But even Jemisin says that the initial idea that got her started writing was ninja priests, and everything else just kind of built up from there.

Welcome, then, to the great land of Gujaareh, a land not entirely unlike our own ancient Egypt. It rests alongside a great river that floods periodically and brings great wealth and prosperity to the land. The whole world lives in the shadow of their great, striated Dreaming Moon, the perpetual manifestation of their goddess, Hananja. In this city, people live healthy, productive lives, and it is all thanks to Hananja’s devoted priesthood and their arts of narcomancy.

Not this kind of ninja priest, though…

The Gatherers of Hananja are able to take dreamstuff from sleeping people, either willingly or otherwise, and their most honored task is to take from those whom their governing council have decided need to die. The terminally ill, perhaps, or the corrupt – these are the ones whom the Gatherers visit, giving them a final dream before sending their soul into the dreaming world embodied by their goddess.

Ehiru is the best of these Gatherers, a man with a deft touch and absolute devotion to his cause. He is told to gather and he gathers, bringing back the various dreamstuffs to the temple, where the Sharers can use it to heal the afflicted of Gujaareh. Indeed, until now, Ehiru has never questioned his place in the world. But he soon finds himself wrapped in a terrible conspiracy that threatens to upend everything he’s ever believed in, and may turn him into that which he has always despised.

It’s a really neat idea, with some very powerful characters and a well-built world. Clearly, Jemesin holds this world clearly in her mind when she writes, because the detail she gives, down to the smells and the surfaces, paint a wonderful picture. That said, though, this book didn’t really come together for me until about two hundred pages in.

Or a Magic Eye picture. I hate those things. Stupid sailboat…

I’m not sure why that was. Maybe I’m so deeply mired in the Alternate Europe mode of fantasy fiction that my brain had trouble adjusting to the deliberately different world that Jemesin built. Maybe she knows the world so well that she made certain assumptions about it that the reader – or at least this reader – couldn’t readily put together. All I know is that I spent a good portion of the book trying to keep everything in order in my head. It was like doing one of those sliding-piece puzzles: immensely frustrating until you finally get a good idea of how it all works.

Before you despair, however, note that number again: 200 pages. You would think that if a book baffled me for a while, I would probably put it down, but the fact that I was willing to keep going that far through my bafflement really does say a lot about the work that Jemesin did. The characters are interesting, and their relationships are intense – none more so than that between Ehiru and his apprentice Nijiri. While Jemesin states clearly that the people of her world aren’t really concerned with labeling and compartmentalizing sexuality, Nijiri is definitely gay, and he is madly in love with his mentor, to the point where he is willing to give up his life to save him.

The Prince is another good example of an interesting and complicated character. The Sunset Prince, avatar of Hananja, gives off Bad Guy Vibes from the moment we meet him. There’s something about him as soon as he appears on the page that says he’s going to be trouble by the end of the book. Despite that, you can kind of see where he’s coming from, and you see the logic he’s working from. It’s deranged, yes, but in a very specific sort of way it makes sense.

Another fascinating aspect of this book is that it presents contrasting and incompatible cultural values with a sense of honesty and truth. The formalized execution/euthanasia that the Gatherers of Gujaareh perform is considered by their own people to be the best way to handle things. After all, why suffer in agony when Ehiru can come along and drop you into a pleasant dream for all eternity?

Not unlike the Cola Wars, but with less moral ambiguity… (photo by caycowa on DeviantArt)

On the other hand, Sunandi Jeh Kalawe is of the Kisuati, and they view the Gatherer’s narcomancy as a horrible power and their “gifts” as nothing short of institutionalized murder. The characters argue over this repeatedly in the book, and the best that comes of it is a certain mutual understanding. Not an agreement, mind you – neither viewpoint is either affirmed or torn down, but they eventually get to a point where they can start to see through the other’s eyes.

So as I said, it took about 200 pages for things to really click for me, but it was worth it when they did. Also, there’s a very funny author interview at the end where Jemesin is given the rare opportunity to interview herself. Definitely not to be missed. This is a really interesting world built on unique and fantastic concepts. There are more, too, which I’ll be looking forward to reading at some point in the future.

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“You kill, priest. You do it for mercy and a whole host of other reasons that you claim are good, but at the heart of it you sneak into people’s homes in the dead of night and kill them in their sleep. This is why we think you strange – you do this and you see nothing wrong with it.
– Sunandi, The Killing Moon

N.K. Jemesin on Wikipedia
The Killing Moon on Wikipedia
The Killing Moon on Amazon.com
N.K. Jemesin’s homepage

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Filed under fantasy, murder, N.K. Jemesin, religion, war

Review 198: The Path of Daggers (Wheel of Time 08)

Wheel of Time 08: The Path of Daggers by Robert Jordan

Again, spoilers. Just putting that out there.

I knew I shouldn’t have left off reviewing this for a few days. I have almost forgotten what happened in this book.

Oh, I know the events that transpired – Borderland kings and queens assembling to deal with Rand in some mysterious way; the using of the Bowl of the Winds to finally change the weather – and the terrible bargain that it fulfills between the Sea Folk and the Aes Sedai; the second invasion of the Seanchan from across the sea, this time into Ebou Dar; Perrin building his army to bring the violent Dragonsworn who follow The Prophet back to Rand….

And that’s all just in the first ten chapters.

It’s not a matter of, as is so often complained about, “nothing happening” – plenty happens in this book. In fact, a lot of what happens in this book directly sets up the rest of the series, and marks some major changes not only in the plot but in the world of the story itself. The problem is that the format of the first half of the series – a reasonably self-contained book that has a clear story climax and some sense of closure by the end – has completely fallen by the wayside. At this point, Jordan is writing for the series as a whole, and has only divided it up into separate volumes because TOR can’t sell it any other way.

Yes, more on political machinations and formalwear. Please.

This does have its advantages, but the disadvantages are greater. So of all the books thus far, I’d have to say that The Path of Daggers is my least favorite. Again – and I want to keep stressing this – not because there’s nothing going on. There’s plenty going on. It’s just not all that easy to keep track of, nor is it necessarily interesting to read.

The worst example of this, I think, is the Seanchan invasion. To catch you up, the Seanchan are an empire that lives in the land across the sea. Descended from the greatest king in history, Artur Hawkwing, they have returned to reclaim their ancestral lands. To do it, they have brought an army that has been trained by a thousand years of battle, creatures that seem like monsters to do their bidding, and leashed women who can wield the One Power as a weapon. Even under normal circumstances, this would be a problem. For Rand, circumstances are far from normal. The Seanchan mark a serious complication in his quest to bring all the nations under his rule in time for the Last Battle, so he has to show them who’s boss.

Surprisingly, with a massive army and a corps of Asha’man – men who can wield the One Power to destructive ends – dealing with the Seanchan becomes a tedious chore to read. Perhaps in an attempt to capture “the fog of war,” Jordan has us jumping from place to place and time to time, from a variety of points of view. What could have been an awesome clash of armies, men and women really going all-out with the One Power in battle for the first time becomes a trial to read. Not least because Rand al’Thor has become a thoroughly unlikable character.

In the middle of the book, Sorilea, the most senior and powerful of the Aiel Wise Ones meets with Cadsuane, an Aes Sedai so formidable that she has become a legend in her own lifetime, and they agree that Rand has become too hard. “Strong endures,” Sorilea says. “Hard shatters.” They vow to teach Rand and the Asha’man to remember laughter and tears, and if you ask me they’re not doing it a minute too soon.

I’m ignoring you for your own good, baby.

Rand is doing his best to harden his heart by this point, and not without reason. He’s got armies at his fingertips, and his decisions will kill a lot of men. He’s got these Asha’man to deal with – men who will inevitably go mad from using the One Power – and he can only bring himself to think of them as weapons. There’s his issue with allowing women to come to harm. Instead of being an endearing (if somewhat chauvinistic) character trait, it just becomes tedious and repetitive. Thankfully, the Maidens of the Spear will later beat the hell out of him for trying to treat them so delicately. In this book, it is almost impossible for me to actually like Rand, and makes me wish that Mat hadn’t been given one book off to recover from having a building dropped on him.

Other than the complete mess that is Rand’s storyline, the rest of the book is actually quite interesting. Elayne has finally come home to Caemlyn and is preparing to take her mother’s place as Queen of Andor. We have the rebel Aes Sedai preparing for all-out war with the White Tower, and Egwene consolidating her hold on the rebels. In the White Tower itself, a hunt for the Black Ajah has begun as Elaida does what little she can to free herself of the influence of her Keeper, Alviarin.

Tell me Joan Crawford wouldn’t be a perfect Elaida.

A word about Elaida do Avriny a’Roihan, as an aside. No one likes her, and I can understand why. I don’t like her either, as a person. She’s arrogant to the bone, impatient, self-absorbed, power-hungry, and completely disregards anything that doesn’t conform to what she already believes is true. This mode of thinking leads the White Tower towards utter disaster, from the botched abduction of Rand to the loss of fifty sisters to the Black Tower. Elaida risks being stilled and deposed should the Hall of the Tower find out about her bungling, and she would deserve it, if not more. The only thing keeping her from that fate is the machinations of her Keeper of the Chronicles, who is more than happy to put Elaida under her thumb.

Having said that, it was this book that made her into one of my favorite characters. I still wouldn’t want to sit next to her on a long airplane ride, but what happens to her in this book made me utterly devoted to finding out her ultimate fate in this series.

That pretty much sums it up, actually – taken as a whole, this book is pretty tough to get through and probably the low point in the series, despite having some of the most interesting and pivotal events take place within its pages. How Jordan managed to do this, I’ll never know. All we can do is take the long view – all of this will benefit the series as a whole, if not necessarily the book that contains it.

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“On the heights, all paths are paved with daggers.”
– Old Seanchan saying
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Robert Jordan at Wikipedia
Robert Jordan at Tor.com
The Path of Daggers at Wikipedia
Wheel of Time at Wikipedia
The Path of Daggers at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

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Filed under adventure, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time

Review 194: A Crown of Swords (Wheel of Time 07)

Wheel of Time 07: A Crown of Swords by Robert Jordan

This review is kinda spoiler-heavy. Just so you know.

With this book, we have reached the midpoint of the series and like you might expect of a series this size, this is where things get soft in the middle.

If you look at various online reviews of this book and others at this point in the series, you’ll see comments like, “It was so boring – nothing happened.” They’ll complain about having too many characters to follow and the story getting stretched out too thinly, which I addressed back in my review of The Fires of Heaven. And as I said in that review, the critics aren’t entirely unjustified in getting frustrated – the story has been divided into several major plot threads that don’t seem to have any chance of meeting up in the near future. It seems like about four different novels that all happen to inhabit the same world at the same time.

I’ll say this much for Illian – no one else thought to put bees on their flag.

Here’s what I think is happening: at about this point in the series, Jordan started thinking of this all in terms of a much larger mega-story, rather than a series of books, with the narrative structure that would entail. It does explain a great deal, especially the rather forced nature of the climax in which Rand finally confronts the Forsaken Sammael and wins the crown of Illian. Exhausted and wounded, Rand goes into pitched battle against a stronger, more prepared enemy for no other reason than because he thinks the timing is right. Whether it is or is not is questionable, but there’s no real reason for that climax to have appeared at the end of that book.

Especially since it occurs four days after the rather exciting opening events of the next book, The Path of Daggers, a fact which we don’t even learn about until roughly halfway through that book. I get the feeling that if it had been possible to publish a single 2,000 page book as volume seven in the series, Jordan would have done it, allowing him to place the attack on Sammael and the use of the Bowl of the Winds in their proper order. But the good people at TOR know such a thing to be impossible, so a Climactic Finale was jury-rigged into this text in the hopes that rabid fans would still buy the next one.

Which, of course, we did. It smooths out a bit if you’re reading the books in rapid succession, but let me tell you – the two year wait between book seven and book eight was a killer.

Oh, Vampire Willow – you’re so jaded.

As for the claim that “nothing happens,” well that’s just patent nonsense. Elaida, the Amyrlin of the White Tower, has found herself under the thumb of her Keeper, Alviarin, for the sin of being extremely short-sighted and overconfident. On the move with the rebel Aes Sedai, Egwene starts to build support for herself through means that no one ever expected – least of all her – and lays the groundwork to do the impossible: attack the White Tower itself.

The Shaido Aiel have been broken and dispersed, but their leader, Sevanna, still holds dreams of leashing Rand al’Thor and becoming the power behind the Chief of Chiefs. The Aes Sedai who tried to capture Rand have been put under the attentions of the Aiel Wise Ones, and all of the Aes Sedai – from the Tower and from Salidar – have taken an oath of fealty to him. What this will mean in the long run is unclear, but until they are released, they will serve him. Until Cadsuane Melaidhrin appears, with plans all her own for the Dragon Reborn. And with Min, Rand tries to settle the rebellious Lords and Ladies in Haddon Mirk, who refuse to acknowledge him as the ruler of Cairhien, Andor or Tear. What he finds, of course, is blood, pain and death – only some of it his.

In the main plot line of the book, Mat, Elayne and Nynaeve are in Tanchico, searching for the Bowl of the Winds – an artifact which could, if they’re lucky, undo the Dark One’s touch on the weather and finally end the summer that has held the land in its grip for the last three books. What we get out of this plot line is significant in many, many ways – we learn about what happens to women who are turned out of the White Tower, and why being so very strict may have cost the Aes Sedai dearly over the last two millennia. We also get a hint as to what causes the famous “ageless” look that so many Aes Sedai have, and why the Three Oaths may do more harm than good in the long run.

No, not that kind of Green.

In fact, between the Ebou Dar Kin and the Sea Folk, it looks like the nature of female channelers in this world is going to be radically upended by the time the series ends. The White Tower, which has stood as the unchallenged symbol of One Power dominance, will no longer possess a monopoly on channelers, and this will force a great many changes not only on Aes Sedai, but on the public perception of women who can use the One Power. But all that is in the future. For me, one of the most touching moments of this part of the series is Reanne Corley’s simple line: “I can be Green.” You’ll know it when you get to it.

What’s more, there are some very significant character moments in this book, not the least of which is that Mat finally gets his thanks for saving Elayne and Nynaeve from the Black Ajah way back in The Great Hunt. Elayne asserting herself among the “real” Aes Sedai is a marvelous scene, as is Mat facing down an entire room of women who would make a king step lightly. The interplay between Mat – the rough-and-tumble rogue/general – and Elayne – the daughter-heir of a kingdom and newly-minted Aes Sedai – is highly entertaining, especially with the help of Nynaeve and her braid-tugging, and Birgitte’s ability to drink like the soldier she is.

As an aside, we also learn from Mat what must be one of the strongest – and strangest – curses in this world, given the conditions under which he utters it. I have to admit, with invectives in this series such as “Burn me,” “Flaming” and “Bloody” – words that draw glares from the more prim and proper segment of society (i.e. women), I don’t really feel the power that they should have. Made-up curse words, such as “Gorram” (Firefly), “Frak” (Battlestar Galactica) and “Sprocking” (Legion of Super-Heroes) feel more, well, curse-ish to me.

This would have been more effective.

“Sheep swallop and bloody buttered onions”? Not so much.

They have plenty to curse about, though. The Black Ajah are in Ebou Dar, too, searching just as hard for a cache of artifacts from the Age of Legends, under orders from Sammael, and a whole new danger arises in the form of the Gholam – a creature made to kill channelers. And once the Seanchan decide that it’s time to take Ebou Dar, that’s just icing on the cake.

So to say that “nothing happens” is to completely ignore everything that, well, happens. It just doesn’t follow the forms and narrative structures that we have expected up until this point, and there are a lot of threads left dangling between books. But this is the point where it becomes vividly clear that you are reading a much larger story, and you should count yourself lucky that you can go from one to the next without stopping.

This did make me worry slightly, of course, about the last books in the series. The book written by Sanderson was originally supposed to be one volume – A Memory of Light – but the narrative demands of the story led to it being split among three volumes. So my question, prior to reading them, was this: will we see the same thing in those books that we saw in this one? A hasty climax, put in the end of the book because that’s what’s supposed to be there? Or does Sanderson have a good, well-planned structure for the final three books that makes each one self-contained yet which makes the final three flow inexorably to the end?

So far so good, but there’s one more left. We shall see.

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“There are no clear paths. Only pitfalls and tripwires and darkness.”
– Lews Therin Telamon
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Robert Jordan at Wikipedia
Robert Jordan at Tor.com
A Crown of Swords at Wikipedia
Wheel of Time at Wikipedia
A Crown of Swords at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

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Filed under adventure, epic fantasy, fantasy, good and evil, Robert Jordan, Wheel of Time

Review 190: Lord of Chaos (Wheel of Time 06)

Wheel of Time 06: Lord of Chaos by Robert Jordan

There comes a point, in a thousand page book, where one is just overwhelmed with information. I mentioned this back in The Great Hunt, but the book is so dense that you look at the dwindling number of pages towards the back of the book and think, This can’t possibly be enough to hold all the stuff I remember happening. And yet it does. The storytelling here is solid, and while there may be a lot of fat to trim, the climactic scenes are usually very well paced and keep you hanging on the whole way through.

So, what happens in this book?

A fair summary of the Aes Sedai Civil War.

As we begin, the rebel Aes Sedai in the tiny village of Salidar are waiting to know what to do. This isn’t something that one would normally say of Aes Sedai, but they are uncertain. The White Tower is the Aes Sedai family, and to think of it splitting down the middle is just as bad as seeing your own family crack in two – you would do anything to save it. While the Salidar Aes Sedai certainly want to stand up against Elaida and her barely legal takeover of the Tower, they also want their family to be whole again. It is becoming increasingly clear, however, that reconciliation is not to be, and so they prepare to take the radical step of naming an Amyrlin Seat of their own. Once that is done, the Tower will truly be split, but perhaps they can bring Elaida to justice in the end.

Rand al’Thor is trying to hold together the lands he’s conquered – Tear, Cairhein and Andor – and prevent them from collapsing into chaos. There are bands of violent looters who call themselves “Dragonsworn,” following their mad prophet and razing all that stands in their path. The Shaido, a clan of Aiel who refuse to accept Rand as their Chief of Chiefs, continues to dog Rand and his allies, and are an ever-present threat. He has Aes Sedai from both the White Tower and Salidar calling on him, each trying to convince him that they are the only ones who are worth allying with. And in Illian, the Forsaken Sammael waits, his greatest ambition being to crush Rand al’Thor and stand at the right hand of the Dark One when his time comes ’round at last.

Not unlike summer 2012 in the US. Hmmm…

All over the continent, the weather has gone into perpetual summer – lands are drying up, farms are dying, as the hand of the Dark One touches the world. Elayne and Nynaeve believe they know where they can find an object that will bring the weather back to normal, but they must first get out of Salidar. Once they do that, they have the violent streets of Ebou Dar to contend with. Egwene is with the Aiel Dreamwalkers, learning how to manage the World of Dreams, not prepared for the magnitude of what awaits her with the rebel Aes Sedai in Salidar. Mat, now the leader of his own army, finds himself guarding Elayne and Nynaeve, much to his own dismay.

All around them, the world falls into chaos, and everything that Rand has done is poised to be undone.

As I said, it’s a dense book, and the changes that occur from the first page to the thousandth are pretty serious. But even though all that, my interest was held and I was entertained, not the least because the characters entertained me from beginning to end.

One of the fun tricks that Jordan uses to great effect, in this book and elsewhere, is conflicting viewpoints. In the last review, I talked about how, for some readers, the profusion of point-of-view characters made the book harder to get into (and at my count, this book has 44 POV characters in it). One advantage to that kind of writing, however, is that we get to examine events and situations through the eyes of different characters, which is often informative and always entertaining.

Poor Rand al’Thor…

Take Rand, for example. He’s an interesting character in that while has has to juggle so many different large-scale problems at once (and he’s generally pretty good at it), he’s hopeless on the individual level. In once scene, for example, Egwene comes to visit Rand. She’s determined to talk to him about the Wise Ones’ manipulation of him, but gets sidetracked into the topic of the Salidar Aes Sedai. Realizing that Rand’s nature as a ta’veren (a person whose mere presence can influence chance and fate) is about to cause her to tell him everything, she opens herself to saidar, the female half of the True Source, as a means of self-control.

Rand can sense this, and believes that she is afraid of him, calling on saidar as preparation for some kind of attack. He’s disappointed in her, of course, but this just further cements his distrust of Aes Sedai and deepens his disappointment that he can no longer trust someone with whom he had grown up. He believes that Egwene approached him in order to involve him in the Wise Ones’ plans and to stand against his own plan to give the thrones of Cairhein and Andor to Elayne.

“At least you didn’t let her see you were tired,” he tells himself after she leaves.

Egwene’s first thought upon seeing him? “He looked so tired.”

Obliviousness is a character trait that is always entertaining.

Two people see the same situation from radically different points of view, and it is their inability to reconcile these points of view that cause conflict. Storytelling 101, but done to great effect in these books. There’s another, far funnier scene later on, when Mat finally gets to Salidar and has a humorous misunderstanding as to exactly what Egwene is doing there. Like so many other characters, he’s absolutely sure he knows what’s going on, only to discover that the reality of the situation is nothing like what he expected. The characters’ willingness to make assumptions, unwillingness to say what they’re really thinking, and inability to accurately know what will happen next are a constant throughout these books, and makes them all the more human.

It is these differences of perspective – often leavened with characters who are wonderfully un-self-aware (Rand, Mat, and Nynaeve are my favorite examples) – that makes the Cast of Thousands worthwhile. For all the benefits of a single-POV book or series, there’s always more story that could be told by shifting into the head of another character. What kind of story would Harry Potter have been if we could have watched events unfold through Ron and Hermione’s eyes as well? Longer, that’s for sure, but perhaps it would have been even better.

Milton, the lowly clerk in the basement of the Stone of Tear…

Would I want The Wheel of Time pared down to just Rand al’Thor’s point of view? Not on your life. Not just because Rand is one of the less well-developed characters in the series, but I would miss the others. I would miss being in the funhouse-mirror mind of Elaida do Avriny a’Roihan, or the scary thoughts of the Forsaken. I would miss knowing how Mat feels about finding himself a general, or Perrin becoming the lord of his homeland. I would miss Perrin’s conversations with the wolves (“We come” just gave me shivers. It’s in chapter 54, check it out.) I would regret losing even the minor POV characters – Sulin trying to figure out how to keep Rand safe, whether he wanted it or not. Faile working to make sure her husband becomes all that he should become. Pedron Niall and his visions of a world saved by his Whitecloaks.

While the vast crowd of characters can be overwhelming, it creates a rich world in which I can easily lose myself. Which is exactly what a good book is supposed to accomplish.

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The lions sing and the hills take flight.
The moon by day, and the sun by night.
Blind woman, deaf man, jackdaw fool.
Let the Lord of Chaos rule.
– Children’s chant of the Fourth Age
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Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Lord of Chaos at Wikipedia
Wheel of Time at Wikipedia
Lord of Chaos at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

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Filed under adventure, epic fantasy, fantasy, good and evil, Robert Jordan, Wheel of Time, wizardry

Review 189: Men at Arms

Men at Arms by Terry Pratchett

When last we left our intrepid Ankh-Morpork Night Watch, things were looking up. This is a nice change from the gutter’s-eye-view we had at the beginning of Guards! Guards!. Things have changed in the time between books. The Watch has a new headquarters, much nicer than its old one, thanks to Lady Sibyl Ramkin, the fiance of Captain Sam Vimes. She comes from an ancient and respectable family, has more money than anyone else in the city, and loves Vimes despite his deep-seated curmudgeonliness, if that is a word.

What’s more, the Watch is taking on new recruits, as ordered by the Patrician. Ankh-Morpork is a city with a very diverse population, and the Patrician believes that the Watch should reflect that diversity. Now we have a Watch open to anyone – trolls, dwarfs, the undead, apes, women – who wants to join, or who doesn’t want to get their heads beaten in. Carrot Ironfoundersson has become a beloved figure in the city – he knows everyone and everyone knows him. All in all, things are looking up.

But there are those who are of a mind that things would be better if only Ankh-Morpork had a king….

Of course, some kings only make things nightmarishly worse…

This is a recurring theme in the early Watch books – the irrational need for royalty. Although, that’s not entirely accurate. Pratchett is a British writer, of course, and he’s got the Queen to look up to, but she doesn’t have all that much real power. Certain people in Ankh-Morpork are looking for a sovereign – not to wave at them and make a Hogswatch speech, but to actually take over their city. They hope, in their hearts, that a king will solve everything. In that way, this recurring theme is not so much about royalty versus populism, but rather the ability to control one’s own life versus allowing someone else to control it for you. The idea that one has responsibility for one’s own actions and well-being is dominant in the Guards books, no more so than in this one.

There is a man named Edward d’Eath, and he has a vision. He is the last of an aristocratic line whose power has declined in this age of guilds and merchants. He looks to the past and sees it as better, brighter than the future. He knows that, if he can just do one little thing, Ankh-Morpork – and he – will be restored to glory. That one little thing, of course, is to put a king on the throne.

Not just any king, of course. The fools who thought to use a dragon to set up a puppet king showed how ineffectual that would be. No, this would only work with a real king, a descendant of the ancient kings of Ankh-Morpork. Find him, put him on the throne, and everything will finally be set straight.

I like to imagine it looks like this.

Of course, that doesn’t work out nearly as well as Edward hopes. He steals a mysterious artifact to set his plan in motion – the Gonne. It is a weapon created by one of the most brilliant minds on the Disc, a man kept peacefully imprisoned by Ankh-Morpork’s Patrician. It is a device that should have been destroyed, but was instead put on display so that the Assassins, the bringers of death, could look at it and say “Beware this thing.”

Like I said, this book is all about making choices in life. Vimes is engaged to be married to Sybil Ramkin, and thus his days as the Captain of the Watch are numbered. He may be in a better position than he was in the last book – having someone try to kill you is always refreshing, after all – but he knows that the life he’s giving up, with all of its pain and trouble and heartache, is the life that he needs to live.

Corporal Carrot needs to choose how best to serve the city of Ankh-Morpork. He is an excellent policeman, probably the only man on the Disc who could get in the middle of an incipient troll/dwarf race riot and shame them out of killing each other. People do what he says – he is, in his own words, “good at being obeyed.” If he wanted to, he could run the city and the city would be glad to let him do it. But is that the best thing for the city?

How could you not trust a chin like that? (art by Simon Lissaman)

The troll Detritus and the dwarf Cuddy both have choices – will they conform to the ancient animosity that stands between their two races, or will they overcome it for the common good?

And then there’s the Gonne itself. As a weapon, it is frighteningly powerful – much more so than the standard-issue crossbow – and as a firearm, however primitive, it represents a vast escalation in the way violence is done. What’s more, since this is a fantasy novel, the Gonne has something of a mind of its own. Its wielders hear it talking to them, convincing them that the only thing standing between them and what they want are a few simple deaths – something the Gonne can easily provide. It even uses the old NRA saw verbatim – Gonnes don’t kill people. People kill people.

But people have a choice, perhaps more of a choice than the characters of these books do. The Gonne controls them, the trigger practically pulls itself, and when you’re holding it, you can easily understand how a simple shot, one simple thing, could change the world. For the better, of course – always for the better.

Pratchett’s views on guns and their efficacy aside, it’s a very gripping book. There’s the mystery of it, of course – who has the Gonne, and why are they using it – but it’s also a story about characters and the choices they make for themselves. My absolute favorites in this are Detritus and Cuddy. Trolls and dwarfs have a famous antagonism, stretching back to the ancient battle of Koom Valley (the only battle in the multiverse where both sides ambushed each other) and it would be very easy for them to fall into simple, culturally conditioned roles.

They’re better buddy cops than you’ll likely to see in the movies, anyway.

While it may be a cliche to say that they found common ground, learned to look past their own prejudices and learned to respect – nay, to like one another, that’s exactly what they did. It is due to Pratchett’s skill as a writer and as a creator of characters that we come to deeply care for this relationship, investing a lot of hope in it. We know that if Cuddy and Detritus can become friends, then maybe there’s hope for everyone. This emotional investment pays off, and Pratchett reaches deep into our hearts at the end, showing that just because you start with a cliche, it doesn’t mean it can’t have depth.

Of course, if you’re not quite as analytical as I am, you can still enjoy it as a good murder mystery. Watching Vimes and company piece together the crime is always fun, because there’s always a twist somewhere that you never saw coming. And Vimes really is one of my favorite Discworld characters – he’s cynical and world-weary, but he still has enough idealism within him to carry him through those times that look like they’re trying to kill him.

All in all, a great book and one that’s highly recommended. The earlier Discworld books are largely stand-alone, so if you’ve never read any of the series before, don’t worry – you can pick this one up and you won’t really miss anything. You may, however, find yourself driving back to the bookstore to get as many other Discworld books as you can. I’m just saying….

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Generally, I meet people before they’re buried. The ones I meet after they’ve been buried tend to be a bit over-excited and disinclined to discuss things.
– Death, Men at Arms
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Terry Pratchett on Wikipedia
Men at Arms on Wikipedia
Men at Arms on Amazon.com
Terry Pratchett’s homepage

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Filed under choices, death, detective fiction, Discworld, fantasy, friendship, guns, humor, murder, mystery, police, revolution, society, Terry Pratchett

Review 185: The Fires of Heaven (Wheel of Time 05)

Wheel of Time 05: The Fires of Heaven by Robert Jordan

One of the criticisms often laid at the feet of this series – and not unfairly – is that it is splintered.

Read any epic fantasy, and you’ll see that at some point, the author splits the party up. This is an almost guaranteed way to create more action, more storylines and, if you’re being paid per word, more money for the author. Tolkien, the grandfather of modern fantasy, did a nice job of splitting the Fellowship up into three branches at one time, and then brought them back together at the end. Since then, the technique has been a stock tool of any writer who is dealing with an ensemble cast in her work.

This pretty accurately describes the plot structure from here on out…

Jordan has taken this technique to its extreme. He used the standard method back in The Eye of the World – split the group into three, bring them all back together just in time for the climactic ending. Pretty boilerplate plot construction right there. From The Great Hunt, however, we began to see that having all of our main characters in one place at one time will be more the exception than the rule – while it starts and ends with everyone together, the beginning of The Dragon Rebornstarts us off with the party split again, bringing them all together only at the very last minute.

By my count, there are eighteen different point-of-view characters in this book, occupying four different major plot threads, only two of which actually manage to come together by the end. And it just gets more complicated from here on out. From my research, there is yet to be any point in the series where every plot thread manages to come together in one place at one time.

For some readers, this is supremely annoying, and I can’t say I blame them. You find yourself going back and forth from character to character, keeping up with storylines that are superficially unrelated, all in the hopes that they’ll pay off eventually. The circus interlude in this book is an excellent example. In an attempt to hide from the Forsaken Moghedein (whom Nynaeve seriously pissed off in the last book) and to get safe passage to the rebel Aes Sedai after the breaking of the White Tower, Elayne, Nynaeve, Thom and Juilin find themselves traveling with a circus. The logic behind this is that no one would ever look for them there, and I suppose they’d be right. I certainly didn’t see it coming.

I’m not sure why this never caught on as a dominant fantasy trope.

There’s a lot of good old-fashioned circus wackiness that goes on – Elayne puts on tights (which just scandalizeNynaeve) and learns to walk a tightrope. Nynaeve ends up being the target for Thom’s knife throwing and battles her own distaste at the skimpy clothes she has to wear versus the fact that she thinks they look pretty. Now I’m not saying that nothing important happens during the circus interlude – lots of things do. It’s just that there’s no reason they had to take place in a circus.

And there’s no reason they couldn’t, either. After all, who’s the multiple-bestselling author, Jordan or me?

As opposed to a single POV series, such as Harry Potter, where you know where the important action is and who it’s happening to, Wheel of Time requires its readers to observe a world of characters. And I think that’s the key to how these books are structured. The events that are happening here aren’t just happening to one small group of people, or one kingdom. It’s happening to the entire world, from the edge of the Aiel Waste all the way to the shores of the Aryth Ocean, from Seanchan to Shara. Rand al’Thor may be the Dragon Reborn (or the Car’a’carn or the Cooramoor, depending on whom you talk to), but that doesn’t mean he’s the only one who has things to do. In order for the Last Battle to be won, a whole lot of things have to happen, and not all of them are going to be centered around our main protagonist.

I’d hang out with this guy, no question… (art by Seamus Gallagher)

In this book, for example, we have two groups looking for the Aes Sedai who fled the White Tower when Elaida became Amyrlin (I hope you’ve been keeping up, otherwise that last sentence makes no sense whatsoever). Siuan Sanche and Leane Sharif, the former Amyrlin and her Keeper, are traveling with Min (a young girl who can tell the future from people’s auras) and Logain (a former False Dragon whose ability to channel was severed by the Aes Sedai.) And then there is Elayne and Nynaeve, who were both out of the Tower when the rebellion took place, but who hate Elaida more than Siuan, so they’re trying to find the rebels. These two plot threads eventually merge, but it takes fifty chapters before that happens.

At the same time, there’s Rand, Mat and Egwene, who are leaving the Aiel Waste for Cairhein, hot on the trail of the Shaido Aiel, who are murdering and pillaging everything they can find. The Shaido are a “rebel” clan, who refuse to accept Rand as the Car’a’carn (the Aiel’s Chief of Chiefs) and have decided that the best thing for them to do is to kill everyone who isn’t an Aiel. Rand and friends chase the Shaido all the way to Cairhein, where they engage in a fierce battle to save the city from being ravaged by war for the third time in twenty years. Even within this plot thread, Mat, Rand and Egwene occupy their own strands, staying apart more often than they get together.

The fourth plot thread is a thin one – Queen Morgase of Andor, who has been gulled into complacency by the Forsaken Rahvin (who is posing as “Lord Gaebril,” the queen’s lover) has finally come to her senses, and escapes from her own castle. She doesn’t know where she’s going, or who will help her, but she’s intent on regaining her throne and seeing Gaebril hang. Lucky for her, Rand manages to take care of her little Forsaken problem by the end, although she’s unaware of this.

Meanwhile, the whole world is falling apart. The White Tower has well and truly split, something that the new Amyrlin, Elaida, is desperately trying to keep from the world. There is war and strife across half the continent, men who believe that the existence of the Dragon Reborn means that all bonds are broken, all social contracts annulled. The Prophet Masema – a man from the northern nation of Shienar – is preaching absolute devotion to Rand al’Thor as not only the Dragon Reborn, but as the source of all that is good. The coming of the Dragon brings not only a great battle with the Shadow, but great upheavals in civilization itself.

No, no – Wait! Don’t go! It gets better!

So, to say “there’s a lot going on in these books” is a bit of an understatement, and it’s Jordan’s fondness for creating new plot threads and then following them to see where they lead that has probably led to this series going on as long as it has. Had he just centered on Rand, it all could have been over in half the time. But it would have been far less interesting in the long run.

The characters of this world are fond of using a certain metaphor to describe life – the Great Tapestry. “The Wheel weaves as the Wheel wills,” they like to say, and they believe that each person’s life is a figurative thread in a greater system. Some characters, like Rand, Mat and Perrin, are more important than others, and they tend to bend other threads to follow theirs. But you cannot make a tapestry out of only three threads, and the end of the world in this series is something in which everyone may participate. Without the actions of the myriad minor characters, Rand wouldn’t be able to be the person he needs to be, and the story wouldn’t be able to be as rich and as complex as it needs to be.

So, give this some thought. If you’re the type of reader who prefers to stick with one character or group of characters throughout a series; if you don’t like having to keep notes on who is doing what and where; if you’re not the kind of person who would create a spreadsheet to note all of the different major characters, with color-coding and hand-drawn graphs…. Not that I have, mind you…. If that’s not your kind of read, then you may not enjoy this series. And there’s nothing wrong with that. But it’s good to know what you’re getting into.

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“It would be easier if this was a story.”
– Rand
——————————————————–

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
The Fires of Heaven at Wikipedia
Wheel of Time at Wikipedia
The Fires of Heaven at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

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Review 183: Habibi

Habibi by Craig Thompson

Here’s the thing about comics, and it’s an unfortunate thing: when you tell people that you read comics, the first thing they’re likely to think about is superheroes. You can’t really blame them, seeing as how superhero comics make up so much of what’s being printed these days, nor can you blame them for thinking that superhero comics are kind of lowbrow entertainment. A lot of it is, but that shouldn’t be surprising when you’re looking at a profit-driven entertainment industry that works on a tight deadline every month. I have a co-worker who can’t believe that I, a man of thirty-[COUGHCOUGH] still reads comics, because her vision of what comic books are and what they can do is stuck in that mode that says, “Comics are for kids.”

There are some superhero comics that exceed our expectations, of course, and show emotionally-charged, well-written stories with deep and interesting characters, masterful writing, and a keen insight into human nature and behavior. They’re more often exceptions than the rule, of course, and if you want the really good stuff then you have to go beyond the monthlies and the Big Two. You need to look at the work of someone who is working not so much because he has an editor or a company that’s directing his work, but because he has a story to tell.

Enter Craig Thompson and Habibi

It’s hard to encapsulate this book in a single sentence, much less a concise review. I can either go on for far too long or find myself lost for words and not say enough. I will say, however, that the moment I laid eyes on it I would say the word that probably best sums up the experience of reading this book: Wow.

The story takes place in a semi-fictional Middle East, the land of Wanatolia, and it begins the way all comics begin – with a drop of ink and the flow of words. We are introduced to Dodola, a girl of nine at the start of the book, who is married off to a wealthy scribe. Through her, we are introduced to this strange and exotic world and the dangers it holds. She ends up living on a boat in the desert with a young boy named Zam, and together they survive in a world all their own. He finds water and she finds food, and they fall asleep to stories every night.

This continues until Dodala is taken by travelers, leaving Zam to fend for himself. While she is made into a concubine for the rich and powerful Sultan, Zam is looking for her among the poor and the dispossessed of Wanatolia. Over the years, their paths diverge terribly, until good fortune brings them together again, neither of them the same as they were, but at least finally able to be together as adults who have loved each other for a very long time.

In large parts, this is a story about boundaries and borders. For one thing, Wanatolia is a place that seems to straddle ancient and modern, fantastical and real. While we have girls sold into sexual slavery, camel-driven caravans and a sultan in an extravagant palace – harem included – we also have automobiles and motorcycles, garbage-clogged waterways, and a great dam that blocks the river and provides electricity. It’s hard to hold the two truths of this place in your mind, because they’re so completely opposite. Even when they appear in the same panel, it’s still hard to believe they’re the same world.

The last part of the book straddles the boundaries between the developed and developing worlds. Wanatolia has a great river that’s been dammed, and is a city-state that is growing fat on oil money. There are great skyscrapers and modern condos, but they’re built alongside astonishing poverty and filth-clogged waterways. The great and mighty live a scant distance away from people who proudly hunt for garbage in order to stay alive. It’s horrifying to look at, but at the same time you know that places like this are not unknown in our world.

It’s about the boundaries between the mystical and the mundane. Early on in the story, Dodala gives Zam a talisman to wear around his neck. It’s a piece of paper folded into nine squares, on which are written nine Arabic letters. Together, they represent a magic square, and rest on the foundations of the Koran. With this talisman, Zam will be protected from the demons and the djinn – as he goes outside to pee.

The Koran, of course, is hugely important to the story, and Thompson tells some of the most iconic and important stories that feature not only in the holy book of Islam, but in the Torah and the Bible as well. Dodala tells Zam about Abraham and his sacrifices, about Job and his plagues, about Noah and his ark, and about Solomon and his riddles, and those tales go on to inform the larger story. They also tell of cleverness and sacrifice and submission to a God that can barely be understood by such people as they.

It’s about the boundaries between men and women as well. For a while, Dodola and Zam live very comfortably on their desert boat together, seeing as how he’s a boy and she’s a young woman. She treats him more like a son or a little brother than anything else, and it’s adorable. But as he ventures into his teens, their relationship becomes a lot more complicated and confused. Zam’s emergent sexuality provides him with nothing but trouble, and even when he and Dodola are no longer together, she has a great effect on how he views himself as a sexual being.

And of course, there is the Sultan and his harem, which has plenty to say about the man-woman divide. The Sultan is both the master of and a slave to his women, constantly looking for novelty and entertainment from them and constantly being disappointed. In Dodola, he sees not only a woman who can pleasure his flesh, but who can engage his spirit. Alas, he turns out to be just as terrible to her as we might expect from a Sultan, and all of her feminine wiles nearly lead to her death.

That does get us to one point of criticism: while Dodola and Zam are interesting, deep, and complex characters, they are pretty much the only ones. The others – from the Sultan to the trash-fisher – are fairly flat and seem to have been created by an Arab Character Generator. Mind you, the number of authentic Middle Eastern communities I have been to could probably be counted on the fingers of a snake, so I’m really in no position to make many judgments on this. But if I were writing a story and needed an Arab character as either an antagonist or a background character, I might have made some of the ones that are in this book.

There’s nothing inherently wrong with that kind of writing, really. After all, the story isn’t about them – it’s about Dodloa and Zam. They are the two who need to be well-rounded and interesting. But it does open the door to discussions of racism in Thompson’s storytelling. Did he make the Sultan a power-mad misogynist because that’s who the character is, or is it because of Thompson’s own ethnocentric biases? Is Wanatolia full of calligraphers and robed assassins and street vendors with camels because Thompson wanted to instill a feeling of unease in the reader, not being able to reconcile the true nature of the kingdom, or is that his preconceived notion of what life in the Middle East must be like? How much of what he’s included is realistic and how much is assumption?

I have no idea. As I said, my knowledge of the Middle East is frightfully deficient, so I certainly don’t feel like I’m in a position to judge. What’s more, my knowledge of who Thompson is as a person and as a writer is informed pretty much by this book. I have no other way of knowing how susceptible he is to his own biases or how much he tries to subvert his own preconceptions. I will leave that up to people who are better situated than me to do.

What I do know, however, is that he did a ton of research to make this book, and it shows primarily in the art and the stories that are told as the book progresses.

The art is, in a word, stunning. It is full of intricate, byzantine calligraphy, mathematically precise and almost obsessively detailed. Every page is full of brilliantly planned drawings, and where the pages are blank, they call attention to their blankness and to those things that are being left undrawn. There were so many places in the book where I just stopped reading for a while so that I could just look at it and admire the time and the planning that must have gone into drawing something of this scope. The art alone is worth spending a day or two admiring.

It’s a deep and complicated book that rewards multiple reads. The more you know about the story, the more you find out when you read it again, and if you get tired then you can just admire the artwork for a good long while. The work that Thompson has produced here is nothing short of monumental.

On top of that, it’ll look really pretty on your bookshelf.

———-
“If all the trees on Earth were made into pens, and the ocean supplied the ink, augmented by seven more oceans, the words of God would not run out.”
– Koran, 31:27

All illustrations by Craig Thompson

Habibi on Wikipedia
Craig Thompson on Wikipedia
Habibi on Amazon.com
The Habibi homepage
Craig Thompson’s homepage

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