Category Archives: epic fantasy

Review 224: A Memory of Light (Wheel of Time 14)

LL 224 - WoT 14 - A Memory of LightA Memory of Light by Robert Jordan and Brandon Sanderson

At last.

At long, long last.

I have been reading this series since it started back in 1990, and have followed it closely in the twenty-three years that followed. I haunted bookstores, waiting for new releases and pestered the employees for information they just didn’t have. I joined WoT message boards back on the old Prodigy system, and even subscribed to a Wheel of Time newsletter back in the day when said newsletters were printed on paper and sent through the mail. (kids, ask your parents) I give you that context so you know where I was, mentally and emotionally, when I started this book. As much as I love this series, I was equally happy to see it finally end.

And oh, what an ending.

We’ve known ever since day one that this series couldn’t end with anything less than the greatest battle the world had ever seen. Tarmon Gai’don – the Last Battle – was due, and simply by definition it would have to be bigger and more terrible than anything that had come before. It would envelop the world, and its ending would shape the future – or end it entirely.

Art by g-a-t-i-n-h-a on DeviantArt

Art by g-a-t-i-n-h-a on DeviantArt

As we begin the book, the first wave of this battle has begun. The great city of Caemlyn is under siege by the forces of the Shadow, and the lands along the northern borders of the world are marching to war. The Seanchan are still itching for a fight, and the Aes Sedai are finally beginning to re-assert their power and their unity. Under all of this, however, the Shadow is lurking, waiting, planning and plotting.

There is no calm before this storm. All that can be done is to prepare.

Rand al’Thor, the Dragon Reborn, is the one who will fight the Dark One itself and truly win or lose the world. There is an earthly situation to take care of, though, and he has a plan for it. By fighting a four-fronted battle, he hopes to keep the forces of the Shadow busy while he strikes at their heart in Shayol Ghul. Thousands will die, but they will give him the time he needs to penetrate the heart of the Dark One’s power.

If he is very, very lucky, he will not only defeat the Dark One, but also leave a legacy behind that will ensure some measure of peace and stability. Assuming the world doesn’t end entirely before he can win.

Really, I’ve probably spoiled enough already, and it’s hard not to go into a lot of detail when you talk about this book. There’s just so much stuffed into it – twists and turns, deaths and defeats, victories and sacrifices – that to start listing them creates the need to list them all.

Ultimately, the best that can be said for this book is that it was the right ending for the series. A lot of that can be attributed to the skill that Brandon Sanderson brings to the table, and his ability to not only keep Robert Jordan’s world alive, but to make it somewhat leaner, more modern in its execution. Sanderson is excellent at writing action, which pays off in many, many, many scenes in the nearly 200 page chapter titled simply, “The Last Battle.” Jordan may have laid the groundwork for it, but it was Sanderson who made sure its finished form made sense and had the emotional punch necessary for the end of such a series.

art by Raymond Swanland

art by Raymond Swanland

And boy, were there emotional punches. Punches galore. From the repeated attempts to destroy the horror that Demandred has become to Elayne’s stand against the armies of the shadow to Rand’s own terrible battle with the embodiment of all that is evil and wrong in the universe, the fights that go on in the Last Battle are not just physical. They are a struggle against not only physical oblivion but also spiritual destruction.

Battling the Dark One is a battle against despair and hopelessness, as Rand discovers during his own battle – a duel of realities in which he and the Dark One propose their ideal worlds to each other. Unfortunately, Rand discovers that his own vision of a world without evil is just as horrifying as a world without goodness would be. It isn’t a supernatural source that defines who human beings are, but rather their struggles against the challenges of the world that do so. Without evil, humans could not be what they are. Rand comes to understand this, and with that understanding comes the realization that good is not what opposes that Dark One. You’re not going to beat him by being nice or putting on a white cloak and smiting shifty travelers.

You defeat the Dark One by simply never giving up. It’s a maltheistic universe – when the most powerful supernatural force known is one that wants you to lay down in despair, simply the act of getting up in the morning is an act of defiance. Taking up arms against an army of monsters, an army that will almost certainly destroy you, is the greatest example of this hope that confounds the Dark One so much. For even if Rand’s forces die, they will not have been defeated.

Art by dem888 on DeviantArt

Art by dem888 on DeviantArt

Of course, given what we know of fiction, if you predict that the Forces of Goodness win, well, that’s a pretty safe bet. But how they win and what they sacrifice to win are the reason we read. There are deaths that we saw coming a mile away, and others that are surprising and saddening. There are twists in strategy that don’t seem to make a lot of sense until much later, and wonderful moments where you just want to put the book down and applaud. And, as it’s the metric of any good adventure story, there are “Oh shit” moments a-plenty.

The book is not without its flaws, certainly, and every reader will find something that didn’t meet their very, very high expectations. But you know what? That’s just too damn bad. That’s the way the series ends, and perhaps after some time and some distance, some of the choices that Jordan and Sanderson made will be a little more palatable to us.

The unanswered questions that the book leaves us with, however, may not. From the identity of the mysterious Nakomi to the fate of Elayne’s twins to exactly how Rand lit his pipe at the very end – these things may never be explained. And that, too, is something we’ll just have to live with.

The way I see it, this book was best ending we could have hoped for. There were so many ways that it could have gone wrong, that it could have been so terribly disappointing – to say nothing of simply not existing at all – that to have the book be as good as it is is something we should all appreciate. If we nitpick, if we call attention to some points that didn’t make us perfectly happy, well, that should be done knowing that we still have an excellent final volume. One that many of us have waited a long, long time for.

There are no endings to the Wheel of Time, really. But this is an ending. And it’s a good one.

—–
“You’re welcome in my house when this is over. We’ll open a cask of Master al’Vere’s best brandy. We’ll remember those who fell, and we’ll tell our children how we stood when the clouds turned black and the world started to die. We’ll tell them we stood shoulder to shoulder, and there was just no space for the Shadow to squeeze through.” – Perrin Aybara, A Memory of Light

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
A Memory of Light at Wikipedia
Wheel of Time at Wikipedia
A Memory of Light at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, Brandon Sanderson, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time, wizardry

Review 220: Towers of Midnight (Wheel of Time 13)

LL 220 - WoT 13 - Towers of MidnightWheel of Time 13: Towers of Midnight by Robert Jordan and Brandon Sanderson

This is it, folks. We’re nearly done. Hang in there….

I’m finding this book tough to review for a few reasons. Firstly, reviewing it is kind of like preaching to the choir – if you’ve read this far into Wheel of Time then you really don’t need me to tell you that you ought to read this book. You probably already have, maybe more than once. If you haven’t started the series, there’s so much information you need to know in order for this book to make sense that this review will have no real significance for you. So I’ll just have to tell you what I thought and hope that’s enough.

Be warned: Spoilers ahead. I’ll try to keep them to a minimum, but they’re there.

As with all the Wheel of Time books, a lot happens in this volume. Some of the events have been anticipated by the fans for more than a decade, others are wonderful surprises. Either way, they’re setting us up for what I expect to be the Mother of All Finales when A Memory of Light comes out.

They do say Two Rivers folk could give lessons to mules in stubbornness, so...

They do say Two Rivers folk could give lessons to mules in stubbornness, so…

Let’s begin with Perrin, since he gets the most page time in this book. He has rescued his wife from the Shaido Aiel, along with a city full of refugees and former prisoners. Despite what he wants, these people look to him to be their leader, something he wants no part of. He just wants to send everybody home, forget that he was ever called the Lord of the Two Rivers, and go back to leading a normal life. But the Wheel won’t let that happen. Perrin Aybara is ta’veren, one of those individuals who both shape and are shaped by the Pattern, and what he wants doesn’t much figure into it.

One of the issues I’ve had with Perrin, actually, is this steadfast, stubborn ignorance of what and who he truly is. For many books now, he’s been going through this whole “I just want to be normal” phase, when it’s obvious to everyone else – his wife, the people traveling with him, the dead wolves he talks to, to say nothing of the readers – that Perrin can never lead a normal life again. As with real people, it’s frustrating to see them deny what’s so clearly true, and that was one of the reasons why Perrin has never been my favorite character.

He turns around on that in this book, however. He does finally start to make peace with who and what he is, and understands his duties to the people who follow him. With that understanding comes strength – the strength to win over his greatest enemies and to master the abilities available to him in the World of Dreams. Perrin is finally coming into his own as both a leader and a warrior, and it will be good to see him look forward to the future instead of long for a past he can’t have anymore.

At this point, Mat would probably say, "It's all part of the plan!!"

At this point, Mat would probably say, “It’s all part of the plan!!”

Mat is another who has been getting under my skin. While I love the way that Sanderson writes him – much funnier, more sarcastic, more modern than Jordan wrote him – he also wants nothing more than to opt out of the role that fate has decreed for him. Through his travels, he has been granted centuries of knowledge about battle and war, he has gone toe-to-toe against creatures that literally defy human understanding, and has a power over luck and fortune that has saved him more times than he can count. Yet he still resists the destiny that is clear to everyone else – to be a leader in the Last Battle.

And that battle is definitely coming soon. Vast armies of Shadowspawn are overwhelming the northern defenses, turning whole cities into killing grounds. Food is rotting at a rapid rate, sometimes as soon as it is prepared. The very fabric of space and time is twisting, moving things around randomly. Rooms, streets, entire villages might shift and vanish in the night. The Dark One is nearly free, and there are very few options open when it comes to stopping him.

Rand al’Thor, the Dragon Reborn, has one idea – to break the seals of the Dark One’s prison so that it may be re-sealed. Rand’s opinion, however, is not very well regarded at the moment. Despite being the prophesied warrior on whose shoulders the fate of the world rests, he’s been kind of an unpredictable nutjob of late. In an attempt to be ready to save the world, Rand tried to distance himself from all emotion, all ties to the world, so that he could be hard enough to do what must be done when the End Times come. He has done terrible things in the name of What Must Be Done, which has led some to fear that the world would be doomed regardless of who won the final battle.

He’s feeling much better now, though. He has come to a state of understanding that should allow him not only victory against the Dark One but also peace. Unfortunately, it’s going to take some time to convince others of that, especially Egwene – formerly the Girl Next Door, now the Amyrlin Seat, leader of all Aes Sedai.

This is gonna be AWESOME! (art by dem888 on DeviantArt)

This is gonna be AWESOME! (art by dem888 on DeviantArt)

Having ended the internecine feud within the White Tower and begun the process of reconciliation, Egwene finds herself at odds against Rand and those who follow him. She agrees with his ends – victory over the Dark One – but not his means. If necessary, she will stand against the Dragon Reborn all the way to the end of the world.

There’s so much more, too. There are action scenes between Mat and the vicious gholam that made me wish I had an animation studio at my disposal. A heartbreaking reunion between father and son. A terrible vision of the future of the Aiel, should things continue the way they are. Ragtag armies barely holding their own, people who we thought were dead revealed to be alive, sons reunited with their mother, battles against the forces of darkness, mislaid messages, a daring rescue, a growing army, and so, so much more.

The complexity of Wheel of Time is understandably off-putting for a lot of new readers, but I think Sanderson is doing a very good job at putting all the pieces together. We are now on the brink of the end, ready to dive into the Last Battle and the much-anticipated Fourth Age. Questions will be answered, people will live, nations will die, and the Wheel of Time will turn.

Stick with me folks, it’s only going to get better.

——————————————————————-
“After what we went through together, it turns out that she’s Morgase Trakand. Not just a queen – the Queen. The woman’s a legend. And she was here, with us, serving us tea. Poorly.”
– Alliandre, Towers of Midnight
——————————————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Towers of Midnight at Wikipedia
Wheel of Time at Wikipedia
Towers of Midnight at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, Brandon Sanderson, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time, wizardry

Review 216: The Gathering Storm (Wheel of Time 12)

LL 216 - WoT 12 - The Gathering StormWheel of Time 12: The Gathering Storm by Robert Jordan and Brandon Sanderson

Yes, of course there are some spoilers. Fewer than usual, perhaps, but still – do you want to take that chance?

Imagine you have a favorite band, and for one reason or another – accident, death, Yoko Ono – they break up. There will be no more music from them.

But it is decided that, regardless of what fate wants for the band, their music is too well-loved and too important to be allowed to stop. So a new band is formed, and they spend years poring over the original music. They get every recording, every bootleg, every interview about how and why these musical giants did what they did. They collect the original instruments and reproduce how the songs were recorded. They do everything in their power to understand that music as best they can. And then they start to make new music.

No one can ever replace you, Sonny...

No one can ever replace you, Sonny…

When you hear it, you can tell that it’s not the original group – maybe there’s a lyrical choice that the old band wouldn’t have used, or perhaps a certain favoring of chords that’s different – but if you sit back and relax, and let yourself just enjoy the music, you can almost believe that it’s your favorite band, come back together to make new and wonderful music again.

That’s kind of what it was like to read this book.

In his introduction, Sanderson says that he’s not trying to replace Robert Jordan – he’s not going to try and copy Jordan’s style or techniques. “Instead, I’ve adapted my style to be appropriate to the Wheel of Time. My main goal was to stay true to the souls of the characters.” This is certainly evident as you read the book – there are techniques that Sanderson uses that Jordan never did – especially in terms of narrative style, dialogue and thematic unity.

Sanderson is a generation younger than Robert Jordan, and this difference in age is reflected in the style of the book. While he certainly does his best to make it look as much like its predecessors as possible, for Sanderson to simply try to ape Jordan’s style would have been a disaster. The narration seems to have a lot more rhetorical commentary than in previous books – the introductory paragraphs of chapter one are a good example, where the narration itself is commenting on the fallen state of Tar Valon, asking “Where was the White Tower, the law?” This technique of the narrative asking questions of the characters is peppered throughout the book.

Having Mat end every chapter with "YOLO!" was perhaps a little TOO contemporary...

Having Mat end every chapter with “YOLO!” was perhaps a little TOO contemporary…

The narration seems a little tighter, more concise than Jordan’s style, which was long criticized for being somewhat superfluous in its verbosity. Again, this is probably a reflection of the generational difference between writers – Jordan probably grew up reading Tolkien, and Sanderson grew up reading Jordan. Each generation seeks to take the good from the previous one, while simultaneously trying to improve upon it. So by and large, the storytelling itself feels more contemporary than other books.

This is also true for the dialogue. There are more rapid-fire exchanges than usual, a sure sign of a younger author, and most of the time this works very well – he actually uses it in a few places to drop significant revelations about characters, so it seems he’s aware of what the quick back-and-forth can do. Each character has retained his or her original voice – with the possible exception of Mat Cauthon.

It became pretty clear as I read this book that Mat must be Sanderson’s favorite character, because he gets all the best lines. One thing that Jordan never did (and I don’t think he really cared to try) was make me laugh. On the other hand, nearly every chapter with Mat in it elicited at the very least an audible chuckle if not an outright laugh. Of all the characters in the book, Mat’s dialogue has become the most unique and, at the same time, the most contemporary, including, but not limited to, verbing a noun:

[Verin] reached into a pocket of her dress, pulling out several pieces of paper. One was the picture of Mat. “You didn’t ask where I got this.”
“You’re Aes Sedai,” Mat said, shrugging. “I figured you… you know, saidared it.”
Saidared it?” she asked flatly.
He shrugged.

Now for some readers, I have no doubt that this will be an intolerable change in a character’s voice. They’re going to go into paroxysms of rage that their favorite character has been turned into a Buffy guest star. And that’s a valid criticism, I suppose. I loved the change. Mat has always been the most rogueish of the characters, dicing and drinking and flirting, and you would expect that kind of person to be of a sharper form of wit. Sanderson’s decided to let Mat meet that potential, and I applaud him for it.

Even Liam Neeson called to tell Rand to lighten up  a little.

Even Liam Neeson called to tell Rand to lighten up a little.

By and large, though, the characters mostly sound like themselves. In some cases, more so, if that makes any sense. Rand, for example, is a lot more thoughtful than we’ve seen him before. For a long time, Rand was really a difficult character to get into. We were not often presented with those moments of sympathy that allow you to imagine yourself in that character’s skin, and perhaps that was a conscious choice of Jordan’s. Sanderson’s done a good job at letting us see what being the Dragon Reborn has done to Rand since he left Emond’s Field, and the path to disaster that he’s on. Rand has decided to become hard, as hard as he has to be so that he can live until the Last Battle, and we finally get a good look at why he thinks this is necessary. What’s more, we fear for him – there was one moment near the end of the book where, reading what Rand was about to do, I found myself saying, out loud, “No. No! Nonononono!” You’ll know it when you see it.

One other aspect of the work that Sanderson has focused on is thematic unity. Different characters experience similar situations that serve to reflect a certain theme of the work. Egwene’s trials, refusing to submit to the will of Elaida, are reflected in Aviendha’s increasingly ridiculous “punishments” by the Wise Ones, and bolstered by the appearance of Shemerin, an Aes Sedai who was, against all tradition, demoted to Accepted. They all serve to support the theme that you are who you say you are, and once you submit to another’s opinion of you, you lose. Egwene already knows it, Aviendha has to learn it, and Shemerin learned it too late.

The difference between being hard and being strong is another theme, this time balanced between Rand and Egwene. Rand, who has to unify the world under him before he fights the Dark One, has chosen to become hard. Not just steel-hard or rock-hard, but cuendillar-hard (a substance from the Age of Legends that is unbreakable by any known means). It is only by crushing his emotions, severing himself from others, and by doing whatever has to be done – up to and including mass murder – that he believes he can prepare for the inevitable confrontation.

Egwene - Keep up the good work! - HC

Egwene – Keep up the good work! – HC

Egwene, on the other hand, has to unify the White Tower before it’s too late. To do so, she must endure immense physical and emotional punishment at the hands of the very people she’s trying to save. She knows she’s right, of course, and the refusal of others to take her seriously would make it easy for her to just give up on the White Tower Aes Sedai. Leave them to their inevitable doom and build a new society of Aes Sedai loyal to her. But she doesn’t do that. She endures the pain, she controls her anger and her impulses, and constantly reminds herself why she is doing what she’s doing. In the end, this makes Egwene stronger, whereas Rand nearly shatters.

Overall, I was very happy with this book. Like many Wheel of Time fans, Jordan’s death worried me greatly. I worried that the whole story would just never be finished, that Rand would never find peace, the Tower would never be united, that Perrin would never have a quiet place just to be himself or that Mat would never be able to live a life with the responsibilities that he chooses. When Sanderson was announced as the author who would finish the series, I worried again, having never read his work. Would he be able to handle the task of finishing this series? Would he be able to pull together all the plot threads that were flying around and bring us to the conclusion that Jordan had known from the start? Would I, in other words, be utterly heartbroken?

I am very happy to say that I’m not worried anymore.

This was pretty much how I spent most of the book.

This was pretty much how I spent most of the book.

—————————————————-
“We can’t go back, Mat. The Wheel has turned, for better or worse. And it will keep turning, as lights die and forests dim, storms call and skies break. Turn it will. The Wheel is not hope, and the Wheel does not care, the Wheel simply is. But so long as it turns, folk may hope, folk may care. For with light that fades, another will eventually grow, and each storm that rages must eventually die. As long as the Wheel turns. As long is it turns….”
– Thom Merrilin, The Gathering Storm
—————————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
The Gathering Storm at Wikipedia
Wheel of Time at Wikipedia
The Gathering Storm at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, Brandon Sanderson, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time

Review 213: Furies of Calderon (Codex Alera 1)

LL 213 - Alera 1 - Furies of CalderonCodex Alera 1: Furies of Calderon by Jim Butcher

As you probably have noticed by now, I am a huge fan of Jim Butcher’s Dresden Files series. The books are fun reads – fast-paced, gritty and realistic, while still maintaining that tarnished patina of fantasy about them. They have a great narrative voice and I could read them the same way I eat a bag of Doritos – all in one sitting, unsure of how it happened, but with less orange Cheez ™ on my fingers. I know for a fact that as long as Jim Butcher continues to write The Dresden Files, I will continue reading them.

At a certain point, I became aware of his Codex Alera series, mainly because he talked about them in author’s notes in the backs of the latest few Dresden paperbacks. I didn’t really read through the notes, usually because I was far too impatient to get into the next book, but I knew they were out there and that I would, sooner or later, have to read them. I also knew that they would be a different beast from what I was used to.

Not every story can be as inspiring as others...

Not every story can be as inspiring as others…

This series is Butcher’s real baby, as he tells us. From his childhood, Butcher was fascinated with high fantasy, the kinds of epic journeys that were made famous by people like Tolkien and Eddings, Zelazny, Brooks, and Weis and Hickman, to name a few. So, when he decided that he wanted to be a writer, it was on that kind of world-spanning, epic fantasy that he set his sights. He found what a lot of young writers find – that this kind of fiction is viciously hard to do well, and is really suitable only for writers who have either mutant-level innate talent or who have spent many, many years honing their skills.

Out of the process of working on his craft, of course, Butcher gave birth to Harry Dresden, which has certainly made the world a better place, but he never forgot his dream of writing an epic fantasy series. After much hard work, and what was no doubt a series of terrifying decisions to let it go public, Butcher published The Codex Alera, his contribution to the Sword-and-Sorcery genre.

It introduces us to the nation of Alera, an old and massive country build on swords, intrigue, and the strange talent possessed by most people to shape and control the very elements themselves. Within the very earth itself, in water and air and fire, trees and metal and stone, there are furies – spirit beings that can bend these elements to their will. The furies, in turn, link to a human, who gives them direction and purpose. A human in control of a fury is a force to be reckoned with, whether they are just bending a water fury to tell if someone is telling the truth, or compelling an earth fury to raise great walls in defense of a population. Most everyone has one or two furies at their command, and some of them have more. Young Tavi, living in the frontier region of Calderon, has none.

"We don't owe nobody nothin'..."

“We don’t owe nobody nothin’…”

Despite his disadvantage, however, Tavi is surrounded by good people. He’s been raised by his uncle, Bernard, who is the leader of their community at Bernardholt, and Bernard’s sister, Isana. Like all people on the edges of empire, the people of Bernardholt have learned to be tough and live without the security of armies or the support of central government. They take care of their own matters, thankyouverymuch, and don’t need a lot of interference from the rest of Aleran political society.

Unfortunately, of course, what they want doesn’t really matter. They soon find themselves at the heart of a violent coup, a plan to overrun the empire and topple its leaders. With the help of the inhuman Marat, the traitors to the First Lord are willing to sacrifice everything in order to save what they believe are the best parts of their nation.

Of all the themes that kind of got lost in this book, that last one is the one I wish had gotten more play – that sometimes people do horrible things for reasons that they believe are not only defensible, but actually good. The main antagonist, a man with the hilariously ironic name of Fidelias, starts out as a wonderfully conflicted character. He tricks his apprentice, the Cursor Amara, into traveling with him to the rebel camp. He makes an attempt to convert her to his way of thinking, and when she rejects a place in his coup, he reverts to Villain Pastiche – the former teacher who is very, very disappointed with his student, to the point where he just has to kill her so she won’t give away the plan. Fidelias travels with a sword-happy knight, Aldrick, who is almost invincibly good at what he does, and the knight’s lady-friend, a semi-psychotic water-crafter named Odiana.

He's an archetype we just can't quit.

He’s an archetype we just can’t quit.

It’s kind of unfortunate, really – I really wanted to be uncertain as to whether Fidelias and his crew were actually good guys, but I was pretty much convinced of their alignment within a few chapters. If I had one wish for this book, it would be that Butcher had kept me wondering throughout the book. I mean, it’s not impossible that the First Lord was deserving of being toppled, and that Amara had given her loyalties to the wrong man, but I stopped questioning that pretty quickly once Fidelias reached mustache-twirling levels.

In general, there were some parts of the story that I really liked, some that left me cold, and a lot that had me playing “Spot The Fantasy Trope” drinking game. Some of the best scenes were fast-paced and full of action, scenes that Butcher has always been good at. Whether it’s Tavi being chased by giant, heat-seeking spiders, or an all-out assault on a semi-impregnable fortress, Butcher does a very good job at controlling the action and making sure the reader knows what is going on where.

On the other hand, a lot of the narration itself, especially in the beginning, is way too talky. Probably one of the hardest things for any epic fantasy writer to do is to introduce his or her world to the reader in a way that is not only clear, but that also makes sense from within the story. Often characters spell out details of history and culture that they already know, and really don’t need to recap.

"As you know, the daily rotation of the Earth - the planet on which we live - makes it look like the firey ball of gas in the sky is rising."

“As you know, the daily rotation of the Earth – the planet on which we live – makes it look like the firey ball of gas in the sky is rising. In the east, no less.”

It would be as though I called my friend back in the United States and said, “As you know, President Obama, who was democratically elected by the people -” “Yes,” my friend says, “in a process that was established over two hundred years ago!” “Indeed,” I say. “President Obama – who is African-American – is thought by some to be Muslim!” “But he isn’t! He is a Christian!” “That’s right, a follower of that ancient religion founded on the teachings of Jesus Christ….”

It would be weird. But writers do this all the time, especially in Fantasy and Science Fiction. And you have to feel a little sorry for them – they have all this information to give us, and no natural way to do it, because the residents of that world already know it. That’s why so many epic fantasies (this one included) tend to start in backwater, isolated regions, where people haven’t seen a tax collector in generations, and why the protagonists tend to be young, working-class people. They are the only ones who would need this kind of history recap. It’s one of the most common ways of filling the audience in, from Lord of the Rings to The Wheel of Time to Star Wars, and Butcher is not an exception.

There is a lot of potential here, though, shining through all the weight that the first book of a fantasy series always has to bear. There’s a complicated political system that we have barely begun to explore, and the way that people and furies interact is shown to be very flexible and creative. As we follow Tavi through the rest of the books, we’ll get to see how someone without the ability to call on a fury might make his way in the world.

Also, I look forward to seeing Tavi grow out of his awkward mongoose stage...

Also, I look forward to seeing Tavi grow out of his awkward mongoose stage…

Incidentally, that is a place where I have to give Butcher credit. I seriously expected Tavi to finally gain his furycrafting powers in a big way at some point in the book, but he never did. For all intents and purposes, Tavi is a cripple in this world, and that is going to be a serious obstacle in his future endeavors. It looks like Butcher’s going to allow the boy to stay disabled, which makes for a far more interesting character in the end.

Anyway, out of loyalty to an author I really like, and in the hopes that he will be able to break the shackles of the Fantasy Formula, I will continue with this series. Don’t disappoint me, Jim….

—————————————————————–
“Two days ago, I had a lot more sense….”
– Tavi, Furies of Calderon, by Jim Butcher
—————————————————————–

1 Comment

Filed under epic fantasy, fantasy, Jim Butcher, politics, war, wizardry

Review 212: Knife of Dreams (Wheel of Time 11)

LL 212 - WoT 11 - Knife of DreamsKnife of Dreams by Robert Jordan

As before, things might be spoilery – I try not to get too specific, but I know how some people are. Consider yourself warned.

And finally things start to come together.

Not completely – the five story tracks I talked about before are still five tracks, and haven’t re-integrated yet. But there has at least been some resolution to some of the storylines, good progress made in others, and you can begin to see how things might eventually end up.

Let’s look at the most satisfying story resolution first – Perrin hunting for his wife, Faile.

They don't look anything like this, but it was either this or pictures of the Klan...

They don’t look anything like this, but it was either this or pictures of the Klan…

In case your memory hasn’t held out too well, Faile has been a captive of the Shaido Aiel since the end of Path of Daggers, which feels like oh so long ago. Since then, she’s been a captive – what the Aiel call gai’shain – and forced to work harder than she had ever has before. Traditionally, gai’shain are Aiel captured in battle, and represent a very important part of their philosophy of ji’e’toh – honor and obligation. An Aiel captured by his enemy will serve for a year and a day, and would never contemplate trying to run away, shirk his duties or harm his captors. It’s just how things are done. The gai’shain, while captive, occupy a curious position of honor in Aiel society.

But non-Aiel are not supposed to be taken gai’shain. Sevanna and her Shaido are perverting the traditions of the Aiel, taking wetlanders captive and treating them as little better than slaves. Faile and her followers (two of whom happen to be queens), are in danger every day, and she doesn’t know which is more dangerous – trying to escape or waiting for Perrin to rescue her.

She finally gets both. With the help of some more honorable Aiel – the Mera’din – she has a chance to get out. But Galina Casban, an Aes Sedai of the Black Ajah and a very angry gai’shain, would rather see them dead.

For his part, Perrin makes a deal with the devil, as far as he’s concerned. While the men he’s leading are certainly very capable, there’s no way they could attack thousands of Aiel without it becoming a slaughterhouse. So he turns to the only military force in the land that has even a chance of success – the Seanchan. They’re invaders, they’re occupiers, and given the chance they would overrun Perrin and his army. But they both see the danger in allowing these Shaido to stay where they are. So a bargain is struck, and Perrin devises a way to attack the Shaido and win his wife back.

Meanwhile, Mat is still traveling with Tuon, the daughter of the Seanchan Empress, and fearful for her life. It seems there are those who want to kill her – something that she has grown up with, to be honest. And they’re willing to go to any lengths to do so. Fortunately, Mat is willing to do whatever he has to in order to keep her safe – she is going to be his wife, after all….

I couldn't help but use this again. It's such a great idea... (art by minniearts on DeviantArt)

I couldn’t help but use this again. It’s such a great idea… (art by minniearts on DeviantArt)

Let’s talk about the Seanchan for a moment, actually. Back in The Great Hunt, they were introduced as being as close to villains as it was possible to get and not be working for The Dark One. They invaded the city of Falme, started capturing women who could channel, and overwhelmed the local military there. They are a highly stratified society, with a complex system of honorific behavior that was unlike anything we had seen yet in the books. We were led to think of them as unabashedly bad.

They turned out not to be, though. They saw their invasion as a homecoming, recovering the land of their ancestors from people who had forgotten the rule of the great Artur Hawkwing. Their forefathers fought against women who could channel, almost to the bitter end, until the a’dam was developed. With it, these dangerous women could be controlled. Yes, they are considered very nearly non-human (at one point, a character equates having sex with a damane with bestiality), but from the experience of the Seanchan, that is the only way these very powerful and very dangerous women could be kept from destroying their civilization.

The Seanchan are powerful and confident, but they’re not evil. The more we see them in these volumes, the more obvious that becomes. Perrin and Mat do more together to not only show us the human side of the Seanchan but to also convince the Seanchan themselves that they need to adapt to these new lands. They will never be removed from the Westlands (especially since the Forsaken Semirhage single-handedly destroyed their empire), but we are finally getting the impression that they’ll be willing to work with the natives, rather than just rule them.

Pay attention, Galina...

Pay attention, Galina…

In other parts, there are some wonderful just desserts, where we finally get to see people we have despised for so long get their comeuppance. Galina Casban is may favorite – I’m sure you’ll understand when you get there. There’s heartbreak and triumph, and more than a few moments where you just want to stop and re-read what just happened. We also get to see some very good character work, from Egwene’s war of words to win over the Aes Sedai of the White Tower to Elayne’s battle to keep her throne – and stop the Black Ajah from pulling her down. We get a real sense of growth from these characters that will serve them well in the books to come.

Reading this book, you finally get the sense that things are starting to come together. The dead are starting to walk, reality is unraveling, and no one is sure what the next day will bring. The Last Battle is coming, and everyone needs to be on board if they’re going to keep civilization intact.

It should be noted, also, that this was the last book written by Robert Jordan before his death in 2007 from cardiac amyloidosis. His passing was a great bow to his fans, and I want to extend my thanks here and now (as I will again later, I’m sure) to his widow for making sure that the world he created didn’t die with him.

———————————————-
“If we die, we will die as who we are.”
– Banner-General Kaerde, Knife of Dreams
———————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Knife of Dreams at Wikipedia
Wheel of Time at Wikipedia
Knife of Dreams at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time, wizardry

Review 207: Crossroads of Twilight (Wheel of Time 10)

LL 207 - WoT 10 - Crossroads of TwilightWheel of Time 10: Crossroads of Twilight by Robert Jordan

Once again – certain things may be spoiled here. Consider yourself warned.

This is where the series finally starts to get its legs back under it, and I think I figured out why: Jordan went about writing it the wrong way.

Let me explain: Following book six, Lord of Chaos, the series separated into five major storylines, which have thus far stayed pretty independent of each other. They’ve progressed at different rates, with different narrative structures, and have occupied different amounts of page space, and overall they synced up pretty poorly. The five major stories that I’ve spotted are these:

The plot diagram for Wheel of Time is only slightly more complicated. No need to worry.

The plot diagram for Wheel of Time is only slightly more complicated. No need to worry.

Leading the rebel Aes Sedai, Ewene al’Vere, the Amyrlin-in-Exile, has deftly manipulated her people into a war against the White Tower and Elaida, the woman who usurped the office of Amyrlin and drove a wedge between the sisters. Originally intended to be a puppet Amyrlin, Egwene has proven herself very good at managing people who are highly resistant to being managed. Her goal is nothing less than the deposing of Elaida and the reunification of the White Tower, no matter what the cost. It’s a story of politics, scheming and manipulation, all leading up to what must be terrible war.

Elayne Trakand is fighting her own political war as she attempts to become the Queen of Andor. Under normal circumstances, this would be no problem. Her mother, the former Queen, is presumed dead, which would pretty much make Elayne a shoo-in. Unfortunately, Morgase ended her reign rather badly (she was under the control of one of the Forsaken at the time, but no one in Andor knows that), so half the Great Houses in Andor who should be supporting Elayne are very reluctant to do so. She’s in a political battle which will not only decide the throne of Andor, but will also affect the world.

In another part of the world, Perrin Aybara is hunting for the people who kidnapped his wife. The Shaido, a renegade clan of Aiel who refuse to acknowledge Rand as their Chief of Chiefs, are spread out across the land, and they bring terror, blood and death with them. Faile Aybara has been taken prisoner by them, and only quick thinking and some unexpected allies are keeping her alive. Perrin is determined to find her, whatever the cost to his body or soul.

Outside of Ebou Dar, Mat Cauthon has single-handedly committed enough crimes against the Seanchan Empire to earn himself a painful death many times over. He has not only allowed three Aes Sedai to escape their clutches, not only spirited out three sul’dam, who know a secret that could break the Empire, but he has kidnapped the Daughter of the Nine Moons, High Lady Tuon – the daughter of the Seanchan Empress. His ragtag group of refugees have only one goal in mind – to get away from the Seanchan. But Mat knows there are stranger fates in store for him, not the least of which is his fated marriage to Tuon.

Finally, we have the central character in this whole saga – Rand al’Thor. When last we saw him, he was cleansing saidin – the half of the One Power that is used by men – of the poisonous taint laid upon it by the Dark One thousands of years ago. This was yet another step in preparing for the Last Battle that he, as the Dragon Reborn, must one day fight. He has armies at his command, Aes Sedai sworn to serve him, three women who love him, and a madman inside his own head. His only goal is to stay sane and live long enough to save the world. Even that is looking like it might not happen….

Another Wheel of Time book? Sure, I have space for that...

Another Wheel of Time book? Sure, I have space for that…

Now any one of those storylines might make for a really good book by itself, and therein lies the solution to the sagginess of this part of the series. They’re all interesting stories, but they all move at different paces, climax at different points, and have vastly different themes and atmospheres. In order to jam them all together into the Wheel of Time books, Jordan had to play fast and loose with chronologies, often backtracking in one story so that he could catch up in another. What’s more, moving from one storyline to another was jarring and unpleasant, making it a chore to actually read the books.

What he could have done was to create five mini-series following Lord of Chaos, perhaps of two or three books each. Each series could flow at its own pace, and stay focused on one of the five major characters, with no break or interruption in the story’s flow. Each story would have been allowed to develop freely, and then they would all come back together to re-integrate into the main series, which would once again present a more unified narrative that brings us to the end.

Or even – and this is something I’m pretty sure has never been done – let the five storylines play out without ever re-integrating them. That would mean the Wheel of Time series becoming more of a Shared World group of books, rather than finishing as the series that started way back in Eye of the World. This would never work, though – it’s only in real life that people start off together, drift apart and never reconnect again, and if there’s anything I’m reading this series for, it is not its resemblance to the real world.

Temporarily splitting into five sub-series might have solved a whole lot of problems though. The reader would have been able to decide which stories interested him the most. Devoted followers, of course, would have bought them all and read them all, but if you’re not interested in watching Perrin anguish over Faile, or you rightly think that Mat’s storyline is pretty rudderless and won’t mean anything until he reconnects with Rand, you’d be able to skip that mini-series. Some clever writing would be necessary once they all integrate, but it would be possible to enjoy the Wheel of Time without necessarily jumping around five storylines every ten chapters or so.

"Don't let it overwhelm you, Artax! Only four more books to go!"

“Don’t let it overwhelm you, Artax! Only four more books to go!”

My point is that the middle of this series has turned out to be muddled and clunky, and if there’s any point where readers might just give up, it would be here. The good news is that in this book, the five storylines finally catch up to each other; the first 357 pages are describing what’s happening in the other storylines while Rand and Nynaeve were cleansing saidin back in Winter’s Heart. Once that event has passed in all five stories, the narrative flow seems to smooth out a lot, and the reading gets easier. I can’t say how long that will last, or how long it’ll take before they all re-integrate, but I know they will sooner or later.

This volume, meanwhile, has some great character moments in it – Egwene cementing herself as the true Amyrlin Seat and doing what must be done to secure her victory; Perrin discovering just how hard he can be and what lengths he will go to to find his wife; Mat’s intricate dance with Tuon, in which neither of them really knows the steps. And on the dark side, Alviarin discovers that even the great and powerful Chosen are not guaranteed victory, and Black Ajah sisters everywhere lay in wait to serve their dark master. And there’s an interesting essay to be written on the psychological position that Jordan takes in these books – Behavior molds personality, and punishment molds behavior. Something I have to mull over as I read, but when I have it set in my head, I’ll let you know.

The story progresses. Fitfully, and in five different directions, but it progresses. Stay with me, folks, and we’ll get there…..

—————————————————–
Sometimes, there were lessons in stories, if you looked for them.
– Elayne Trakand, Crossroads of Twilight
—————————————————–

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Crossroads of Twilight at Wikipedia
Wheel of Time at Wikipedia
Crossroads of Twilight at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time, wizardry

Review 203: Winter’s Heart (Wheel of Time 09)

Wheel of Time 09: Winter’s Heart by Robert Jordan

Just a note – you may consider this spoilery. Continue at your own risk.

We are continuing on with the series, and once again there’s a lot going on in the Westlands (which is the much better alternative name to “Randland.”). In Caemlyn, Elayne Trakand is busy preparing to become the Queen of Andor, as the world still believes that her mother, Morgase, is dead. She’s not, of course. She became a refugee after the Seanchan attack on Amador, became a Lady’s maid to Faile and Perrin, and subsequently became a captive of the Shaido Aiel, along with Faile and Alliandre, the Queen of Ghealdan. Not a good day for them, seeing as how the Shaido have become the worst that everyone expects of Aiel – murderous, thieving and vicious. Perrin is trying to rescue his wife, of course, but that rescue is not certain. Faile and Morgase will have to figure it out for themselves.

But getting back to Elayne – in Andor, she undergoes the ceremony to become first-sister to Aviendha, the Aiel woman with whom she must eventually share Rand al’Thor’s affections. It’s a great scene, that – a very simple procedure, but deep and meaningful as well. And it suggests a custom that I appreciate very much, having had friends that I consider on par with family. Under the direction of the Wise Ones of the Aiel, you become bonded with your friend and re-born, in a way. Forever after that, you are considered siblings, just as if you had come from the same mother.

Not all sisters want to make your life better.

Having a new sister isn’t going to make things all work out, though – Elayne has to cement her claim to the throne, and deal with an army of Borderlanders who really want to know where Rand is. Why, we don’t know yet. But from the looks of it, it can’t be all that good.

Meanwhile, in Ebou Dar, Mat has reappeared after the injuries he took during the Seanchan invasion. Still wrapped around Queen Tylin’s finger, Mat is looking for a way to get himself out of the city without getting himself or anyone else killed. What this ends up meaning is that he has to escape the city with three Aes Sedai who have been leashed and collared to serve as living weapons for the Seanchan – a crime punishable by death.

The Seanchan are still an interesting player in this series, even if the battle scenes in the last book were kind of dull. They are the descendants of Artur Hawkwing’s armies, vanished across the sea a thousand years ago. Through a millennium of fighting both men and monsters, they have become a formidable military force, held together by the damane – women who can channel, but who are considered less than human for all that. Controlled by other women, sul’dam, the damane are the heart of Seanchan power. No conventional army can stand up to them, and if it weren’t for Rand and his Asha’man, they would have overrun the Westlands already.

(art by minniearts on DeviantArt)

They control Ebou Dar, of course, but they do it in a manner similar to the Romans. They don’t try to change the conquered people, or break them. All they require is an understanding that they are now living under Seanchan rule. Respect the new rulers, obey the laws, pay your taxes and life need not go on any differently. Cause trouble, though, and the hammer will come down on you. Hard.

Even though their military advances are being slowed down, though, their cultural invasion is proceeding. This is not a mission of conquest for them – it’s a homecoming. With the soldiers and damane are also coming farmers and weavers and blacksmiths – normal people who want to make a new life for themselves. With the Westlands practically empty as they are, the Seanchan will have no trouble finding places to live. Right in time for the Last Battle against the Dark One, of course, but they don’t know about that yet. Regardless of how things turn out, the Westlands will never be the same after this.

Rand al’Thor is on a mission of his own, one which involves a great deal of misdirection. After the attack on his person by renegade Asha’man – in which a chunk of the Sun Palace in Cairhien was destroyed and a lot of people died – Rand has decided that enough is enough. This whole “doomed to go mad” thing that comes part and parcel with being a male channeler of the Source has got to go. So yes, he’s decided to cleanse saidin of the Dark One’s taint, but not before taking a detour into the island city-state of Far Madding, to hunt down the men who nearly killed him.

What can I say – the story advances. The plotlines being what they are, we do miss out a bit in this book. Perrin’s hunt for his wife gets cut short, narrative-wise, and we hardly see anything at all of Egwene and the rebel Aes Sedai. This was, if I remember, really annoying when the book first came out. Reading them all at once, however, it’s easier to deal with, knowing that the next book will refocus on people who’ve been out of the spotlight for a while. The parts that did get the most page-time, however, were interesting and, for the most part, exciting to read. So, a step up from Path of Daggers.

—————————————————
“You can never know everything, and part of what you know is always wrong. Perhaps even the most important part. A portion of wisdom lies in knowing that. A portion of courage lies in going on anyway.”
– Lan Mandragoran, Winter’s Heart
————————————————–

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Winter’s Heart at Wikipedia
Wheel of Time at Wikipedia
Winter’s Heart at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time, wizardry

Review 198: The Path of Daggers (Wheel of Time 08)

Wheel of Time 08: The Path of Daggers by Robert Jordan

Again, spoilers. Just putting that out there.

I knew I shouldn’t have left off reviewing this for a few days. I have almost forgotten what happened in this book.

Oh, I know the events that transpired – Borderland kings and queens assembling to deal with Rand in some mysterious way; the using of the Bowl of the Winds to finally change the weather – and the terrible bargain that it fulfills between the Sea Folk and the Aes Sedai; the second invasion of the Seanchan from across the sea, this time into Ebou Dar; Perrin building his army to bring the violent Dragonsworn who follow The Prophet back to Rand….

And that’s all just in the first ten chapters.

It’s not a matter of, as is so often complained about, “nothing happening” – plenty happens in this book. In fact, a lot of what happens in this book directly sets up the rest of the series, and marks some major changes not only in the plot but in the world of the story itself. The problem is that the format of the first half of the series – a reasonably self-contained book that has a clear story climax and some sense of closure by the end – has completely fallen by the wayside. At this point, Jordan is writing for the series as a whole, and has only divided it up into separate volumes because TOR can’t sell it any other way.

Yes, more on political machinations and formalwear. Please.

This does have its advantages, but the disadvantages are greater. So of all the books thus far, I’d have to say that The Path of Daggers is my least favorite. Again – and I want to keep stressing this – not because there’s nothing going on. There’s plenty going on. It’s just not all that easy to keep track of, nor is it necessarily interesting to read.

The worst example of this, I think, is the Seanchan invasion. To catch you up, the Seanchan are an empire that lives in the land across the sea. Descended from the greatest king in history, Artur Hawkwing, they have returned to reclaim their ancestral lands. To do it, they have brought an army that has been trained by a thousand years of battle, creatures that seem like monsters to do their bidding, and leashed women who can wield the One Power as a weapon. Even under normal circumstances, this would be a problem. For Rand, circumstances are far from normal. The Seanchan mark a serious complication in his quest to bring all the nations under his rule in time for the Last Battle, so he has to show them who’s boss.

Surprisingly, with a massive army and a corps of Asha’man – men who can wield the One Power to destructive ends – dealing with the Seanchan becomes a tedious chore to read. Perhaps in an attempt to capture “the fog of war,” Jordan has us jumping from place to place and time to time, from a variety of points of view. What could have been an awesome clash of armies, men and women really going all-out with the One Power in battle for the first time becomes a trial to read. Not least because Rand al’Thor has become a thoroughly unlikable character.

In the middle of the book, Sorilea, the most senior and powerful of the Aiel Wise Ones meets with Cadsuane, an Aes Sedai so formidable that she has become a legend in her own lifetime, and they agree that Rand has become too hard. “Strong endures,” Sorilea says. “Hard shatters.” They vow to teach Rand and the Asha’man to remember laughter and tears, and if you ask me they’re not doing it a minute too soon.

I’m ignoring you for your own good, baby.

Rand is doing his best to harden his heart by this point, and not without reason. He’s got armies at his fingertips, and his decisions will kill a lot of men. He’s got these Asha’man to deal with – men who will inevitably go mad from using the One Power – and he can only bring himself to think of them as weapons. There’s his issue with allowing women to come to harm. Instead of being an endearing (if somewhat chauvinistic) character trait, it just becomes tedious and repetitive. Thankfully, the Maidens of the Spear will later beat the hell out of him for trying to treat them so delicately. In this book, it is almost impossible for me to actually like Rand, and makes me wish that Mat hadn’t been given one book off to recover from having a building dropped on him.

Other than the complete mess that is Rand’s storyline, the rest of the book is actually quite interesting. Elayne has finally come home to Caemlyn and is preparing to take her mother’s place as Queen of Andor. We have the rebel Aes Sedai preparing for all-out war with the White Tower, and Egwene consolidating her hold on the rebels. In the White Tower itself, a hunt for the Black Ajah has begun as Elaida does what little she can to free herself of the influence of her Keeper, Alviarin.

Tell me Joan Crawford wouldn’t be a perfect Elaida.

A word about Elaida do Avriny a’Roihan, as an aside. No one likes her, and I can understand why. I don’t like her either, as a person. She’s arrogant to the bone, impatient, self-absorbed, power-hungry, and completely disregards anything that doesn’t conform to what she already believes is true. This mode of thinking leads the White Tower towards utter disaster, from the botched abduction of Rand to the loss of fifty sisters to the Black Tower. Elaida risks being stilled and deposed should the Hall of the Tower find out about her bungling, and she would deserve it, if not more. The only thing keeping her from that fate is the machinations of her Keeper of the Chronicles, who is more than happy to put Elaida under her thumb.

Having said that, it was this book that made her into one of my favorite characters. I still wouldn’t want to sit next to her on a long airplane ride, but what happens to her in this book made me utterly devoted to finding out her ultimate fate in this series.

That pretty much sums it up, actually – taken as a whole, this book is pretty tough to get through and probably the low point in the series, despite having some of the most interesting and pivotal events take place within its pages. How Jordan managed to do this, I’ll never know. All we can do is take the long view – all of this will benefit the series as a whole, if not necessarily the book that contains it.

——————————————-
“On the heights, all paths are paved with daggers.”
– Old Seanchan saying
——————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
The Path of Daggers at Wikipedia
Wheel of Time at Wikipedia
The Path of Daggers at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

2 Comments

Filed under adventure, epic fantasy, fantasy, Robert Jordan, war, Wheel of Time

Review 194: A Crown of Swords (Wheel of Time 07)

Wheel of Time 07: A Crown of Swords by Robert Jordan

This review is kinda spoiler-heavy. Just so you know.

With this book, we have reached the midpoint of the series and like you might expect of a series this size, this is where things get soft in the middle.

If you look at various online reviews of this book and others at this point in the series, you’ll see comments like, “It was so boring – nothing happened.” They’ll complain about having too many characters to follow and the story getting stretched out too thinly, which I addressed back in my review of The Fires of Heaven. And as I said in that review, the critics aren’t entirely unjustified in getting frustrated – the story has been divided into several major plot threads that don’t seem to have any chance of meeting up in the near future. It seems like about four different novels that all happen to inhabit the same world at the same time.

I’ll say this much for Illian – no one else thought to put bees on their flag.

Here’s what I think is happening: at about this point in the series, Jordan started thinking of this all in terms of a much larger mega-story, rather than a series of books, with the narrative structure that would entail. It does explain a great deal, especially the rather forced nature of the climax in which Rand finally confronts the Forsaken Sammael and wins the crown of Illian. Exhausted and wounded, Rand goes into pitched battle against a stronger, more prepared enemy for no other reason than because he thinks the timing is right. Whether it is or is not is questionable, but there’s no real reason for that climax to have appeared at the end of that book.

Especially since it occurs four days after the rather exciting opening events of the next book, The Path of Daggers, a fact which we don’t even learn about until roughly halfway through that book. I get the feeling that if it had been possible to publish a single 2,000 page book as volume seven in the series, Jordan would have done it, allowing him to place the attack on Sammael and the use of the Bowl of the Winds in their proper order. But the good people at TOR know such a thing to be impossible, so a Climactic Finale was jury-rigged into this text in the hopes that rabid fans would still buy the next one.

Which, of course, we did. It smooths out a bit if you’re reading the books in rapid succession, but let me tell you – the two year wait between book seven and book eight was a killer.

Oh, Vampire Willow – you’re so jaded.

As for the claim that “nothing happens,” well that’s just patent nonsense. Elaida, the Amyrlin of the White Tower, has found herself under the thumb of her Keeper, Alviarin, for the sin of being extremely short-sighted and overconfident. On the move with the rebel Aes Sedai, Egwene starts to build support for herself through means that no one ever expected – least of all her – and lays the groundwork to do the impossible: attack the White Tower itself.

The Shaido Aiel have been broken and dispersed, but their leader, Sevanna, still holds dreams of leashing Rand al’Thor and becoming the power behind the Chief of Chiefs. The Aes Sedai who tried to capture Rand have been put under the attentions of the Aiel Wise Ones, and all of the Aes Sedai – from the Tower and from Salidar – have taken an oath of fealty to him. What this will mean in the long run is unclear, but until they are released, they will serve him. Until Cadsuane Melaidhrin appears, with plans all her own for the Dragon Reborn. And with Min, Rand tries to settle the rebellious Lords and Ladies in Haddon Mirk, who refuse to acknowledge him as the ruler of Cairhien, Andor or Tear. What he finds, of course, is blood, pain and death – only some of it his.

In the main plot line of the book, Mat, Elayne and Nynaeve are in Tanchico, searching for the Bowl of the Winds – an artifact which could, if they’re lucky, undo the Dark One’s touch on the weather and finally end the summer that has held the land in its grip for the last three books. What we get out of this plot line is significant in many, many ways – we learn about what happens to women who are turned out of the White Tower, and why being so very strict may have cost the Aes Sedai dearly over the last two millennia. We also get a hint as to what causes the famous “ageless” look that so many Aes Sedai have, and why the Three Oaths may do more harm than good in the long run.

No, not that kind of Green.

In fact, between the Ebou Dar Kin and the Sea Folk, it looks like the nature of female channelers in this world is going to be radically upended by the time the series ends. The White Tower, which has stood as the unchallenged symbol of One Power dominance, will no longer possess a monopoly on channelers, and this will force a great many changes not only on Aes Sedai, but on the public perception of women who can use the One Power. But all that is in the future. For me, one of the most touching moments of this part of the series is Reanne Corley’s simple line: “I can be Green.” You’ll know it when you get to it.

What’s more, there are some very significant character moments in this book, not the least of which is that Mat finally gets his thanks for saving Elayne and Nynaeve from the Black Ajah way back in The Great Hunt. Elayne asserting herself among the “real” Aes Sedai is a marvelous scene, as is Mat facing down an entire room of women who would make a king step lightly. The interplay between Mat – the rough-and-tumble rogue/general – and Elayne – the daughter-heir of a kingdom and newly-minted Aes Sedai – is highly entertaining, especially with the help of Nynaeve and her braid-tugging, and Birgitte’s ability to drink like the soldier she is.

As an aside, we also learn from Mat what must be one of the strongest – and strangest – curses in this world, given the conditions under which he utters it. I have to admit, with invectives in this series such as “Burn me,” “Flaming” and “Bloody” – words that draw glares from the more prim and proper segment of society (i.e. women), I don’t really feel the power that they should have. Made-up curse words, such as “Gorram” (Firefly), “Frak” (Battlestar Galactica) and “Sprocking” (Legion of Super-Heroes) feel more, well, curse-ish to me.

This would have been more effective.

“Sheep swallop and bloody buttered onions”? Not so much.

They have plenty to curse about, though. The Black Ajah are in Ebou Dar, too, searching just as hard for a cache of artifacts from the Age of Legends, under orders from Sammael, and a whole new danger arises in the form of the Gholam – a creature made to kill channelers. And once the Seanchan decide that it’s time to take Ebou Dar, that’s just icing on the cake.

So to say that “nothing happens” is to completely ignore everything that, well, happens. It just doesn’t follow the forms and narrative structures that we have expected up until this point, and there are a lot of threads left dangling between books. But this is the point where it becomes vividly clear that you are reading a much larger story, and you should count yourself lucky that you can go from one to the next without stopping.

This did make me worry slightly, of course, about the last books in the series. The book written by Sanderson was originally supposed to be one volume – A Memory of Light – but the narrative demands of the story led to it being split among three volumes. So my question, prior to reading them, was this: will we see the same thing in those books that we saw in this one? A hasty climax, put in the end of the book because that’s what’s supposed to be there? Or does Sanderson have a good, well-planned structure for the final three books that makes each one self-contained yet which makes the final three flow inexorably to the end?

So far so good, but there’s one more left. We shall see.

———————————————
“There are no clear paths. Only pitfalls and tripwires and darkness.”
– Lews Therin Telamon
———————————————

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
A Crown of Swords at Wikipedia
Wheel of Time at Wikipedia
A Crown of Swords at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

1 Comment

Filed under adventure, epic fantasy, fantasy, good and evil, Robert Jordan, Wheel of Time

Review 190: Lord of Chaos (Wheel of Time 06)

Wheel of Time 06: Lord of Chaos by Robert Jordan

There comes a point, in a thousand page book, where one is just overwhelmed with information. I mentioned this back in The Great Hunt, but the book is so dense that you look at the dwindling number of pages towards the back of the book and think, This can’t possibly be enough to hold all the stuff I remember happening. And yet it does. The storytelling here is solid, and while there may be a lot of fat to trim, the climactic scenes are usually very well paced and keep you hanging on the whole way through.

So, what happens in this book?

A fair summary of the Aes Sedai Civil War.

As we begin, the rebel Aes Sedai in the tiny village of Salidar are waiting to know what to do. This isn’t something that one would normally say of Aes Sedai, but they are uncertain. The White Tower is the Aes Sedai family, and to think of it splitting down the middle is just as bad as seeing your own family crack in two – you would do anything to save it. While the Salidar Aes Sedai certainly want to stand up against Elaida and her barely legal takeover of the Tower, they also want their family to be whole again. It is becoming increasingly clear, however, that reconciliation is not to be, and so they prepare to take the radical step of naming an Amyrlin Seat of their own. Once that is done, the Tower will truly be split, but perhaps they can bring Elaida to justice in the end.

Rand al’Thor is trying to hold together the lands he’s conquered – Tear, Cairhein and Andor – and prevent them from collapsing into chaos. There are bands of violent looters who call themselves “Dragonsworn,” following their mad prophet and razing all that stands in their path. The Shaido, a clan of Aiel who refuse to accept Rand as their Chief of Chiefs, continues to dog Rand and his allies, and are an ever-present threat. He has Aes Sedai from both the White Tower and Salidar calling on him, each trying to convince him that they are the only ones who are worth allying with. And in Illian, the Forsaken Sammael waits, his greatest ambition being to crush Rand al’Thor and stand at the right hand of the Dark One when his time comes ’round at last.

Not unlike summer 2012 in the US. Hmmm…

All over the continent, the weather has gone into perpetual summer – lands are drying up, farms are dying, as the hand of the Dark One touches the world. Elayne and Nynaeve believe they know where they can find an object that will bring the weather back to normal, but they must first get out of Salidar. Once they do that, they have the violent streets of Ebou Dar to contend with. Egwene is with the Aiel Dreamwalkers, learning how to manage the World of Dreams, not prepared for the magnitude of what awaits her with the rebel Aes Sedai in Salidar. Mat, now the leader of his own army, finds himself guarding Elayne and Nynaeve, much to his own dismay.

All around them, the world falls into chaos, and everything that Rand has done is poised to be undone.

As I said, it’s a dense book, and the changes that occur from the first page to the thousandth are pretty serious. But even though all that, my interest was held and I was entertained, not the least because the characters entertained me from beginning to end.

One of the fun tricks that Jordan uses to great effect, in this book and elsewhere, is conflicting viewpoints. In the last review, I talked about how, for some readers, the profusion of point-of-view characters made the book harder to get into (and at my count, this book has 44 POV characters in it). One advantage to that kind of writing, however, is that we get to examine events and situations through the eyes of different characters, which is often informative and always entertaining.

Poor Rand al’Thor…

Take Rand, for example. He’s an interesting character in that while has has to juggle so many different large-scale problems at once (and he’s generally pretty good at it), he’s hopeless on the individual level. In once scene, for example, Egwene comes to visit Rand. She’s determined to talk to him about the Wise Ones’ manipulation of him, but gets sidetracked into the topic of the Salidar Aes Sedai. Realizing that Rand’s nature as a ta’veren (a person whose mere presence can influence chance and fate) is about to cause her to tell him everything, she opens herself to saidar, the female half of the True Source, as a means of self-control.

Rand can sense this, and believes that she is afraid of him, calling on saidar as preparation for some kind of attack. He’s disappointed in her, of course, but this just further cements his distrust of Aes Sedai and deepens his disappointment that he can no longer trust someone with whom he had grown up. He believes that Egwene approached him in order to involve him in the Wise Ones’ plans and to stand against his own plan to give the thrones of Cairhein and Andor to Elayne.

“At least you didn’t let her see you were tired,” he tells himself after she leaves.

Egwene’s first thought upon seeing him? “He looked so tired.”

Obliviousness is a character trait that is always entertaining.

Two people see the same situation from radically different points of view, and it is their inability to reconcile these points of view that cause conflict. Storytelling 101, but done to great effect in these books. There’s another, far funnier scene later on, when Mat finally gets to Salidar and has a humorous misunderstanding as to exactly what Egwene is doing there. Like so many other characters, he’s absolutely sure he knows what’s going on, only to discover that the reality of the situation is nothing like what he expected. The characters’ willingness to make assumptions, unwillingness to say what they’re really thinking, and inability to accurately know what will happen next are a constant throughout these books, and makes them all the more human.

It is these differences of perspective – often leavened with characters who are wonderfully un-self-aware (Rand, Mat, and Nynaeve are my favorite examples) – that makes the Cast of Thousands worthwhile. For all the benefits of a single-POV book or series, there’s always more story that could be told by shifting into the head of another character. What kind of story would Harry Potter have been if we could have watched events unfold through Ron and Hermione’s eyes as well? Longer, that’s for sure, but perhaps it would have been even better.

Milton, the lowly clerk in the basement of the Stone of Tear…

Would I want The Wheel of Time pared down to just Rand al’Thor’s point of view? Not on your life. Not just because Rand is one of the less well-developed characters in the series, but I would miss the others. I would miss being in the funhouse-mirror mind of Elaida do Avriny a’Roihan, or the scary thoughts of the Forsaken. I would miss knowing how Mat feels about finding himself a general, or Perrin becoming the lord of his homeland. I would miss Perrin’s conversations with the wolves (“We come” just gave me shivers. It’s in chapter 54, check it out.) I would regret losing even the minor POV characters – Sulin trying to figure out how to keep Rand safe, whether he wanted it or not. Faile working to make sure her husband becomes all that he should become. Pedron Niall and his visions of a world saved by his Whitecloaks.

While the vast crowd of characters can be overwhelming, it creates a rich world in which I can easily lose myself. Which is exactly what a good book is supposed to accomplish.

—————————————————-
The lions sing and the hills take flight.
The moon by day, and the sun by night.
Blind woman, deaf man, jackdaw fool.
Let the Lord of Chaos rule.
– Children’s chant of the Fourth Age
—————————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
Lord of Chaos at Wikipedia
Wheel of Time at Wikipedia
Lord of Chaos at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

Leave a comment

Filed under adventure, epic fantasy, fantasy, good and evil, Robert Jordan, Wheel of Time, wizardry