Category Archives: wizardry

Books about wizards and wizardry.

Review 177: The Dragon Reborn (Wheel of Time 03)

Wheel of Time 03: The Dragon Reborn

Think about this for a moment: imagine there was someone in history who was truly terrible. The stories about him tell that he was personally responsible for destroying civilization as they knew it at the time. Thanks to him, men who could wield immense power went mad and broke the world. He brought down an Age of Legends in a catastrophe from which, three thousand years later, humanity has still not fully recovered. Mothers tell their children stories about him to make them grow up right. He is known as the Dragon, the Kinslayer, and the world fears the day on which, the Prophecies say, he will return. For that will signal the End of the World and the final battle with the Shadow.

Next to this guy, Hitler is a minor-league bully.

HE WILL END US!!!

How would you feel if you found out that you were, in fact, him? In a world where reincarnation is a certainty, it’s possible to find out that you are an ancient hero reborn. Or perhaps a king, or a queen. Or maybe just Joe Peasant, who gets another ride on the Wheel. However it works out, you’ve discovered that you’ve pulled the unluckiest card in the reincarnation deck, and your future is to be hated and feared, and eventually to die in battle against the greatest evil humankind has ever known.

You might go a bit nuts. Rand al’Thor certainly does.

Not the inevitable madness of being a man who can channel, thank the Light, just the understandable mental breakdown that comes with knowing that you’re the doomed reincarnation of one of history’s greatest monsters. Rand is off to the great city of Tear, on the southern coast. In the great, power-wrought fortress that sits at its center, there is Callandor, the Sword That Is Not A Sword, and an object of great power for any male channeler who holds it. What’s more, only the Dragon Reborn can remove it from its suspension inside the Stone of Tear. By taking Callandor, Rand will finally prove to himself and the world that he is the Dragon Reborn.

His friends, in the meantime, think this is a mad plan. No army has ever broken the Stone of Tear, and the city itself hates and despises channelers. Moiraine knows that Rand could get himself killed in Tear, thus dooming the world. So, with Lan, Loial and Perrin, she chases after Rand to try and ensure that he fulfills his true destiny.

These guys will Mess. You. Up.

So it’s not for nothing that we don’t see a lot of Rand al’Thor in this book, despite him being the title character. In fact, except for occasional brief interludes, we don’t get a chapter from Rand’s point of view until chapter 55, just in time for the climactic final battle. I’m of two minds on this decision by Jordan. On the one hand, it frees up a lot of pages for the other characters in the book – Perrin gets a lot of time to shine, and Mat’s healing in the White Tower lets us get to know him a little better and get a better view of the White Tower and Tar Valon. We spend much more time with Egwene, Nynaeve and Elayne as they head down to Tear to chase down the Black Ajah, and get a good look at the Aiel, who will become much more important in the subsequent books.

On the other hand, however, we lose sight of Rand during what is a very important point in his character development – coming to terms with and accepting not only his identity as the Dragon Reborn but the horrible destiny that comes with it. In those brief interludes, we see that he’s being hunted by the Shadow, and has to remain on guard against its agents at all times. If we had followed him on this journey, much of what comes after would have made more sense. As it is, by letting him off on his own, Rand’s character suffers a great deal, and the reader’s ability to empathize with him is irrevocably harmed.

But on the third hand, maybe that was the whole point. No one can understand the Dragon Reborn – not Moiraine, not his best friends, not even the reader. From this book on, Rand will always be harder to understand than the other characters in the series, which may have been Jordan’s goal all along.

Another option, of course, is that Jordan wrote several thousand words of Rand’s journey to Tear and realized that just following this one guy all by himself as he tries to keep from going nuts wasn’t as interesting as we might have thought.

So there’s that.

Google Image Search can be a tough place to search for pictures of women in fantasy….

A word, then, on a topic that is central to this series, and I figure it’s better to look at it earlier rather than later – women.

As a genre, fantasy doesn’t have a very good reputation when it comes to female characters. More often than not, women are either objects of the male protagonist’s quest, or they are hindrances to him. Fantasy remains a very male-dominated genre, and for female readers there are slim pickings when it comes to whom you can imagine yourself being. While Wheel of Time is still an andro-centric story, the roles and responsibilities given to female characters are enormous, and Jordan has created a world in which the status of women is far higher than in most fantasy worlds. It is a world where men and women are different, but equal, and neither is presumed to be superior to the other. This is neatly illustrated in the nature of the True Source, the energy that turns the Wheel of Time and thus is the engine of all creation.

The Source is divided into female and male, saidar and saidin. While saidin was horribly corrupted by the Dark One, it is repeatedly made clear that neither is stronger than the other, and that the greatest works of the Age of Legends always came when men and women worked together. Even on a non-magical scale, it is shown that the roles of men and women in this world are distinctly different, but occupying a certain stable balance that allows the world to work. In personal relationships too, there is no relationship I can recall where either the man or the woman can be said to be “in charge” (except in cases like Lan and Moiraine, where one has specifically sworn to obey the other). One of my favorite examples: Egwene, Elayne and Nynaeve have gone to Tear to hunt the Black Ajah. Far away, in Caemlyn, Mat learns that their lives are in danger from the Shadow’s assassins, and promises right there that he’s going to save them. Classic male reaction to a Damsel in Distress.

The women of WoT will have none of this nonsense.

Once he finds them, however, they have pretty much saved themselves – another five minutes or so and they would have done it. Mat’s entire involvement in their rescue from the unbreakable Stone of Tear and the horrifying Black Ajah was to unlock a door. He risked life and limb on a quest to rescue these women, only to discover that they don’t need rescuing. And in classic male fashion, he spends the next few books sulking about how they didn’t thank him for unlocking that pesky door. Well, not all the time, of course, but it certainly comes up again.

It’s not feminist lit by any means – Jordan tends to resort to behavioral cliches more with his female characters then male; women glare or sniff or tug their braids as a kind of neon sign that says, “THIS CHARACTER IS ANGRY NOW.” But I imagine that female readers of this series will have less trouble finding a character to identify with than they would with, say, Lord of the Rings, which has only one female character of any note (Eowyn – Arwen is barely in the books at all). And there’s a lot of “I guess I’ll just never understand women” talk from a lot of the male characters, while the female characters tend to hold themselves in slightly higher esteem. But for all that, I imagine there were plenty of female readers who saw themselves in these books, and who spent more than a little time wondering which Ajah they would choose, if only they could be Aes Sedai.

Of course, I am a man, so I could be completely wrong.

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“Men fight when they should run, and fools fight when they should run. But I had no need to say it twice.”
– Zarine, The Dragon Reborn
—————————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
The Dragon Reborn at Wikipedia
Wheel of Time at Wikipedia
The Dragon Reborn at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

3 Comments

Filed under adventure, epic fantasy, fantasy, good and evil, madness, quest, Robert Jordan, Wheel of Time, wizardry

Review 175: The Last Continent

The Last Continent by Terry Pratchett

Quick – what do you know about Australia?

I reckon if you live in Australia, you probably know quite a lot. If you’ve known someone from Australia or perhaps have visited there, you might know a few things. If your experience is limited to a few “Crocodile Dundee” movies and the Crocodile Hunter, then you could probably stand to know a little more. No matter what your level of Australiana is, though, you probably know at least enough to get a lot of enjoyment out of this book, Terry Pratchett’s homage to the strangest continent on Earth.

Now keep in mind, Pratchett does state quite clearly that this is not a book about Australia. “It’s about somewhere entirely different which happens to be, here and there, a bit… Australian.” So that’s okay then.

This adorable little thing? IT WILL END YOU.

Really, this is Pratchett’s homage to Australia, a country that he clearly likes a lot. In reality, Australia is a pretty strange place. It’s a giant island, most of which is barren desert. It’s been disconnected from the other continents for so long that evolution has given us species unlike any others on Earth. Pretty much anything that you come across, from the lowliest spider to the cutest jellyfish to the weirdest platypus, is deadly. The country is a tribute to Nature, both in its beauty and its danger, and really deserves more attention than it gets.

In one memorable scene, Death asks his Library for a complete list of dangerous animals on the continent known as XXXX, aka Fourecks. He is immediately buried under books, including Dangerous Mammals, Reptiles, Amphibians, Birds, Fish, Jellyfish, Insects, Spiders, Crustaceans, Grasses, Trees, Mosses and Lichens of Terror Incognita, volume 29c, part three. A slight exaggeration? Perhaps. He then asks for a complete list of species that are not deadly, and gets a small leaflet on which is written, “Some of the sheep.”

This book isn’t about Death, though, as much fun as that may be. This is about the worst wizard on the Disc. The classic inadvertent hero, who had seen so much of the world but only as a blur while he ran from danger. The hero who truly just wants to be left alone, perhaps with a potato – Rincewind.

What you most need to know about Rincewind is that he absolutely does not want to be a hero. He craves a boring life, one in which the most he has to worry about is whether to have his potatoes baked, mashed, or deep fried. He does not want to be chased by mad highwaymen, put in prison for sheep theft, or required to completely change the climate of an entire continent. He doesn’t want to time travel, be guided by strange, otherworldly kangaroos or fall in with a troupe of suspiciously masculine female performers. He just wants peace and quiet.

This? This is an Australian rain forest.

The universe, of course, has other ideas. And so it is up to Rincewind to once again save the day. The continent of Fourecks has never seen rain – in fact, they think the very idea of water that falls from the sky is ludicrous. But there are legends of what they call The Wet – the day when water will be found on the surface of the ground, rather than hundreds of feet below it. And while they don’t know how it will happen exactly, they do know it will happen. Lucky for Rincewind, the universe has chosen him to make sure that it does.

I really can’t list all of the Australia references because there are just too many. From drop bears to Vegemite, Mad Max to Priscilla, Queen of the Desert, they’re pretty much all there.

This book is, like so many other Discworld, books, a lot of fun to read. One of the more interesting sections in the book is one that’s not strictly necessary. Exploring a strange window in the University which, for some reason, leads to a beach, the Wizards of the Unseen University find themselves marooned thousands of miles away and thousands of years back in time. On this weird little island, they meet one of the most unusual gods on the Disc – the god of evolution.

And sometimes even gods get bored.

This god isn’t interested in the normal godly things – lolling about and being worshiped, occasionally smiting a few followers here and there. As Pratchett puts it, “It is a general test of the omnipotence of a god that they can see the fall of a tiny bird. But only one god makes notes, and a few adjustments, so that next time it can fall further and faster.” This god of evolution is devoted to making life forms better, often one at a time, and lives on a strange little island where there’s only one of everything, but everything yearns to be useful. With him, the wizards are able to explore evolution and natural selection and figure out why sex is just so darn useful.

I say that this section isn’t strictly necessary because it just isn’t. It’s certainly interesting, and I suppose the god’s island is a nice echo of the real Australia, where evolution has had a long time to tinker and come up with some really weird stuff, but in terms of the story, it’s not all that important a plot point. In fact, the wizards in general don’t contribute much to the story other than to make it longer and funnier. Their exploration of evolution and Rincewind’s unwilling quest to bring rain to the barren land of Fourecks are almost wholly unrelated to each other, up until the very end.

I can’t see how a group like this would ever cause trouble.

This isn’t to say that they’re unwelcome – I love watching the wizards explore the world. The combination of personalities whenever all the wizards get together is one that offers endless hours of reading fun, and I think that without them, the book would have been less enjoyable. They’re just not essential to the plot, is all, and if that kind of thing is important to you, then you might not enjoy this book so much.

Me, I love science and I love Discworld. While the actual Science of Discworld series was kind of dry and boring in the end, I love it when Pratchett explores real-world science through the eyes of his Discworld characters. By looking at science from another perspective, he is able to make it perhaps a little more understandable to people who otherwise might write science off as “too hard.”

This book is a trip through time and space and Australia. It’s a long, strange trip, to be sure, but an entertaining one.

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“It’s not many times in your life you get the chance to die of hunger on some bleak continent some thousands of years before you’re born. We should make the most of it.”
– The Dean
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Terry Pratchett on Wikipedia
The Last Continent on Wikipedia
The Last Continent on Amazon.com
Terry Pratchett’s homepage

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Filed under Discworld, evolution, fantasy, gods, humor, science, Terry Pratchett, wizardry

Review 172: The Great Hunt (Wheel of Time 02)

Wheel of Time 02: The Great Hunt by Robert Jordan

Excerpted from the White Tower Guide to Channeling, Section Four: So You’re a Man who can Channel:

There comes a time in every young man’s life where he begins to notice some changes – maybe you have new feelings about the Girl Next Door, or you may want to spend more time away from your parents. And there will of course be changes in your body, that’s for sure. Yes, it’s all part of a young man’s journey into becoming an adult!

Some of these changes might be a little embarrassing – acne, wet dreams, or, in some cases, channeling the One Power.

Yes, some unlucky boys may find themselves able to move objects without touching them, light fires with their minds, or make the very earth under their feet shake and crack. If you have experienced unusual happenings, followed by feelings of sickness, euphoria or general unease, you may be able to channel the tainted saidin that drove Lews Therin and every male Aes Sedai of the Age of Legends horribly insane. If left alone, your future does not look good.

This is Jimmy. He started channeling when he was eighteen years old. He didn’t want to, and he tried to stop, but the Wheel Weaves as the Wheel Wills, and in one night he killed everyone in his village with a raging firestorm. Unfortunately, the Aes Sedai couldn’t get to him in time, and he hanged himself before his twenty-first birthday.

This is Freddie. He started to channel when he was twenty, and managed to hold it off for five years. Then the wasting disease set in. We would show you the other side of his face, but trust us – it’s not a pretty sight. If Freddie had gone to Tar Valon earlier, he might have avoided this terrible fate.

Billy here was one of the lucky ones. When he started to channel, he was quickly found by the diligent sisters of the Red Ajah. He was rushed to Tar Valon where he was gentled, making him a threat to society – and himself – no longer! Put on a happy face, Billy! You’re a productive member of society again!

So if you’re a young man experiencing the dangerous thrill of channeling saidin, rush to the White Tower today! Your life – and the lives of those you love – may depend on it!

Unless, of course, your name is Rand al’Thor and you happen to be the Dragon Reborn. In that case, you have a lot more to worry about.

Rand is caught in a bind. After the events in The Eye of the World, he has discovered that he’s able to channel saidin, the male half of the One Power that drives the Wheel of Time and thus underpins the universe. Unfortunately for him, saidin was tainted many years ago by the Dark One, as a final revenge against those who trapped him in his prison. The result is that any man who channels saidin is doomed to go mad, waste away, and die.

This thing is no end of trouble...

But Rand is not just any man. He is the Dragon Reborn, the man who is fated to face down and defeat the Dark One during the Final Battle. He is the reincarnation of one of the most powerful Aes Sedai of the Age of Legends, Lews Therin Telamon, the man who led the mission against the Dark One that ended in the Breaking of the World. If he were to go mad, it would be a Very Bad Thing, thus all the Capital Letters.

He loves his friends, but fears for their safety. He wants to leave the keep at Fal Dara along the border of the Blight, but he can’t. He wants to be free of Aes Sedai, but he soon finds himself before the Amyrlin Seat, the woman who leads all Aes Sedai. He cannot stay and he cannot go, and the pressure is starting to get to him, to the point where he tries the classic trick of trying to distance himself from his friends by making them think he doesn’t like them anymore. Mat and Perrin know something is up with their friend, but they don’t know what. As for as they know, Rand is just putting on airs and letting the fame of finding the fabled Horn of Valere go to his head. If their disdain is enough to protect them, of course, then Rand is willing to encourage it.

All of this is put on hold, however, when Padan Fain, one of the darkest Darkfriends in the world, escapes from his cell in Fal Dara’s dungeon and steals both the Horn and a cursed dagger that is linked to Mat’s soul. Without it, Mat could die within weeks. So, they go off on a great hunt for Fain and his co-conspirators, hoping to find the Horn before it is blown and the spirits of the greatest heroes in history are forced to serve the Shadow.

Though not quite as much trouble as this.

Elsewhere, Egwene and Nynaeve, two women from Rand’s village, are on their way to Tar Valon to start their training to become Aes Sedai. There they meet Elayne, the daughter-heir of Andor, and become entangled in a plot by the Black Ajah – a fervently denied secret group of Aes Sedai that serve the Dark One. The women find themselves in the coastal city of Falme, where they face an army of nightmares. The Seanchan have come from across the sea to reclaim the rights of their ancestors, and any woman who can channel the One Power is forced into horrible slavery.

It’s a dense book.

There were several times during the book where I looked at the diminishing pages in the back and thought, “Wait, isn’t there more that happens here?” The answer, of course, is yes, but what takes up comparatively little space in the book looms much larger in my mind. The events at Falme, for example, with Egwene’s captivity and the plot to set her free, to say nothing of the Seanchan occupation itself and Rand’s rematch with the horrible Ba’alzamon, only take about 120 pages. The ramifications of those events, and their importance to not only this book but the series as a whole, seems to overshadow the brevity with which they’re told. And so I found myself surprised that so much happens in so little space, without it feeling horribly rushed.

And not nearly as much as this.

That’s a common feature of these books, which usually – but not always – comes off without a hitch. Jordan jumps between character groups, spending a few chapters here and there so that we never forget who’s doing what, and with whom. There are the occasional interludes to show the wider world – in this case, the activities of the Children of the Light, a fanatical, quasi-religious group that are a classic example of how people can do evil in the name of goodness. But the information is laid out very carefully, so that once you get to the climax of the book, you know everything you need to know so that the action can move as quickly as possible.

Of course, our world starts to expand as well. We not only get to see a few new places – Cairhien and Falme in particular – but we get a look inside the way the White Tower works, with Nynaeve’s test to become Accepted and Egwene’s new life as a novice. We get to see more of the Whitecloaks, who will do anything to preserve what they believe to be The Light. And we get a new view of history, especially with regards to Artur Hawkwing, one of the greatest rulers of the world after the Breaking, who is a constant presence throughout the book, even if he only shows up at the end.

The overarching theme of this book, at least as pertains to Rand, is leadership. As the Dragon Reborn, Rand is going to have to lead the nations of the world in the last battle against the Dark One, something he doesn’t feel particularly confident about. But that’s destiny for you, and what he wants doesn’t really have anything to do with how he’s going to end up. So this book is about Rand coming to terms not only with his identity as a leader of men, but also as the man the world has hoped for and feared for so long – the Dragon Reborn.

And the less said about this, the better. Even the Dark One pauses...

If you’re reading the series, then you don’t need my encouragement to go pick this up. If you’re still unsure if you want to commit yourself, however, be assured that this book does exactly what it should do – it propels the story forward, keeping the energy of the first book and giving us more questions than answers. It ends with what turns out to be a surprisingly emotional sequence. As many times as I’ve read it, I’m still moved by Egwene’s rage, Rand’s determination and Ingtar’s redemption.

For as much as this is Epic Fantasy, which isn’t so much about the characters as it is about the world in which they live, Jordan has created great characters here. People you want to know better and feel for as you read. You fear for their safety, not just physically but the safety of their very souls. When they triumph, you share their joy, and when they fail, you share that too. As big a story as this is, it’s all about the characters at this point, which makes for excellent reading.

Enjoy.

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“Rand al’Thor. It does not sound like a name to inspire fear and set the world on fire.”
– Siuan Sanche, The Amyrlin Seat, The Great Hunt
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Robert Jordan at Wikipedia
Robert Jordan at Tor.com
The Great Hunt at Wikipedia
Wheel of Time at Wikipedia
The Great Hunt at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

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Filed under adventure, epic fantasy, fantasy, good and evil, madness, quest, Robert Jordan, Wheel of Time, wizardry

Review 163: New Spring (Wheel of Time 00)

Wheel of Time 00: New Spring by Robert Jordan

If you’re new to the Wheel of Time series, don’t start with this book.

Okay, technically it is Book Zero, as it takes place about twenty years before the events of the first book, Eye of the World, and it provides an enormous amount of backstory which a reader would only otherwise get later on. I mean, if you read this, and then go on to EotW, everything that happens in the first few chapters is so much more heavily weighted. Things that Moiraine says and does, knowing what we know about her, are completely different. I’m not saying that they’re better or worse – they’re just different. And perhaps because I treasure my experiences with books, I cannot imagine the story being as good if we knew so much.

"Honey, put the coffee on. This'll be a while."

The Wheel of Time is an immense example of Epic Fantasy. The first book was published in 1990, and it still hasn’t found its way to a conclusion. The end is in sight, of course – following the death of author Robert Jordan, the series is being finished by Brandon Sanderson and the final volume is expected to come out at the beginning of 2013. Still, that’s a long, long time for the faithful to stick with a series. More than a few people have dropped out halfway through, and I can’t blame them. The series so far consists of nearly three point eight million words (that’s nearly five Bibles), more than 11,000 pages and 635 chapters so far (thank you, Wikipedia). There are more characters than I think anyone can accurately count, over three thousand years of history, prophecies, politics, religion, love, hate, magic, mystery….

It’s not for the faint of heart. But if you stick with it, the series will pay off. It’ll take up a piece of real estate in your head that you keep coming back to – questions, wonders, worries. It’s no surprise that a fan community has built up around this series that has devoted itself to knowing and cataloging every detail, right down to the chapter icons and their relationship to the content of that chapter. If you’re not wondering what Ajah you would be in by the end of the first book, then you need to slow down and enjoy it a little more because something’s not sinking in.

If I sound kind of evangelistic, it’s because I am. I have devoted nearly two-thirds of my life as a reader to it, sticking it out even when other readers got bored or frustrated, and I want other people to love it too. That is, after all, the entire reason I do these reviews – to share the books I love.

Anyway, on to this actual book.

She's small, but she will END YOU.

As I said, it’s prequel to the series proper. Its first incarnation was as a short story in the “Legends” collection back in 1999, and was published as a novel between books ten and eleven of the series proper. It focuses on two of the prime movers of the early books – Moiraine Damodred, Aes Sedai of the Blue Ajah, and Lan Mandragoran, the uncrowned king of Malkier, a land that was swallowed by the Blight when he was but an infant.

See, that sentence right there would require pages of back story just by themselves if I were to try and explain them properly.

Moiraine and her best friend Siuan are Accepted in the White Tower, home of the Aes Sedai – a society of women who can channel a powerful force called saidar. For thousands of years, the Aes Sedai have used their powers to try and protect the world. Soon, Moiraine and Siuan will become full-fledged Aes Sedai, with all the power and responsibility that involves. At the moment, that looks like taking part in a great war – the mysterious Aiel have come out of their desert to attack and destroy everything they can find, and no one knows why. The war has come to the very shores of Tar Valon itself, the home of the White Tower.

Amidst all this, Gitara Moroso, an Aes Sedai of high rank and power, has a Foretelling: The Dragon is reborn. He who broke the world has come again, and the Last Battle is upon us. She Foretells the end of the world, and that foretelling kills her.

With that, a search begins for the boy who would one day grow up to be The Dragon, and Moiraine and Siuan are at the forefront of it. But they aren’t alone. The Amyrlin Seat, leader of all Aes Sedai, sent out her best to find the boy. Unknown to them, the Black Ajah, Aes Sedai dedicated to the primacy of The Dark One (and I shouldn’t have to tell you who he is), are also looking for the Dragon Reborn. Without him, their master will emerge from his prison and remake the world in his image. It is up to Moiraine and Siuan to find the boy before the Black Ajah do, and not get themselves killed in the process.

Confused yet? I would be, if I hadn’t read this series prior to this book. Damn near everything I’ve said up there requires a ton of explanation and back-story, pages and pages of it. Which is, of course, what the series proper is all about. When this novel was released, readers of WoT had already gone through ten books, so there wasn’t a lot of pressure on Jordan to explain everything in absolute detail. For a devoted fan, it’s an excellent nugget of series history and an illuminating look at some of the most important and mysterious characters in the series. For a new reader, it’s probably somewhat confusing.

The island of Tar Valon

This book gives us a good, strong look at the White Tower and the life inside it – the intricacies of the Ajahs, the trials that are required of the Novices and Accepted, and the history that surrounds it all. It’s a lot of information, but it’s wrapped inside a good story, so you don’t really mind. Well, I don’t really mind – very little of this is new to me.

In all honesty, I could be wrong. I first read this with years of the series under my belt and breezed through concepts and references that I didn’t need explained. But even if it is accessible to the new reader, I still recommend holding off until you get to a point where you’re pretty sure you know everything you need to know.

Why? Because it’s not how the series was written. A new reader, cracking open Eye of the World for the first time, knows nothing, which puts you pretty much at the same level as the series protagonist, Rand al’Thor. With Rand, you learn about the world at a steady pace. It’s a little overwhelming, sure, but it’s manageable, and what’s more – it’s interesting. This world (nicknamed “Randland” by fans) has an intricate and mysterious history, as do many of the characters. To have so much information before starting the series feels to me like… cheating.

I'm guessing the series is somewhere in the blue-green area...

If I could, I would remove my memory of the rest of the series and read this one as if it were all new. I would love to come at this story from a different angle and then compare the two experiences – kind of like with Ender’s Game and Ender’s Shadow. Alas, I cannot, so I go into this book not knowing what I’m not supposed to know.

If you’re new to the series, though, it’s ultimately up to you. I think holding off on this book will make it better, but I can’t tell you what to do, right? All I know is that it’s where I start when I re-read the series, and it’s not a bad beginning. And I know that I started the series a long time before this book came out, and that was fine too.

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“He is born again! I feel him! The Dragon takes his first breath on the slope of Dragonmount! He is coming! He is coming! Light help us! Light help the world! He lies in the snow and cries like the thunder! He burns like the sun!”
– Gitara Moroso, New Spring
——————————————-

Robert Jordan at Wikipedia
Robert Jordan at Tor.com
New Spring at Wikipedia
Wheel of Time at Wikipedia
New Spring at Amazon.com

Wheel of Time discussion and resources (spoilers galore):
Theoryland
Dragonmount
The Wheel of Time Re-read at Tor.com
The Wheel of Time FAQ
Wheel of Time at TVTropes.com

1 Comment

Filed under epic fantasy, fantasy, quest, Robert Jordan, Wheel of Time, wizardry

Review 151: Ghost Story

Ghost Story by Jim Butcher

Hell’s Bells count: 27

In the acknowledgment section of the book, where Butcher very kindly thanks all the people who helped it come into existence, he clarifies something very important: the end of the last book, Changes, was not a cliffhanger. Absolutely not, no matter that it really, really looked like one, smelled like one and felt like one. After all, in that last scene, Dresden is on a boat, and then shot through the chest by a sniper of some sort. He drops into the cold waters of the lake and sinks and, as far as we know, dies.

Noooo! You've gone too far, Harry!!

In order for it to be a cliffhanger, then, Butcher would have to reveal at the beginning of this book how Dresden got out of such a terrible situation. Maybe he could call on some last reserve of magic or be saved by merpeople or something, but the strictures of the cliffhanger would demand that Dresden, once the next book began, not be dead but saved by some unexpected, yet still believable, means.

So, yes, Butcher is right – it’s not a cliffhanger. Dresden is, indeed, dead. He did not escape, he was not rescued. He is dead.

Now in most series (comic books excluded, of course), the death of the main character would be something of an impediment to continuing the series. But The Dresden Files is not most series, and Harry Dresden is not most main characters. He has done too much and is far too important to be allowed to do a silly little thing like die. Harry Dresden is necessary to a great number of plans and schemes by a great number of people. What’s more, his death wasn’t exactly fair, insofar as such a thing is possible.

And so he is brought back by the Powers That Be in order to balance the scales and set things right, which is ultimately what Harry Dresden has been doing all along. He’s to go back to Chicago and find his murderer, lest terrible things happen to those he loves.

Fortunately, while there are meddling kids, Harry wins them over, and the giant ridiculous dog is on his side.

The catch, of course, is that he has to come back as a ghost. This is a problem for many reasons, not the least of which is that doing a murder investigation is substantially easier when you have, well, substance. It’s hard to punch someone in the face when your fists just go right through them. So Dresden first has to figure out how to make himself known to the living world, in addition to coming to grips with his limitations as an untethered spiritual entity. Once he’s figured that part out, he has to not only solve his own murder, but keep a body-hopping necromancer from becoming indescribably powerful, save the only man who knows how to deal with being a ghost, try to redeem a bunch of street kids who are under the influence of a minor sorcerer, and figure out what to do with the real mess he made when he died.

You see, Harry’s death, and the events that led up to it, created a power vacuum – not only in Chicago, but all over the world. With the destruction of the Red Court of vampires, the magical rulers of the world are fighting tooth and nail over land and resources, and what has mostly resulted from that is bloodshed. Forces all over the world are converging on Red Court territory, each one determined to claim what they can.

This was the very first Google Image result for "Ragged Lady." The book is forever changed for me...

In Chicago, the news of Harry Dresden’s death invited all sorts of new power players into the city, who were previously smart enough to stay out. Harry never truly understood the reputation he had until he sees what his friends have to do to match it and keep the city safe. Now that the Great and Powerful Harry Dresden is out of the picture, a newer and more terrible protector has emerged to keep away those who would do the city and its inhabitants harm. The Ragged Lady is all that stands in the way of the Chicago that Harry knew being overrun.

Mix in the Faerie, a new group called the Formor, the mob, and a few representatives of the afterlife, and you have a confusing and volatile situation. Which is pretty much where Harry Dresden is most at home.

As with the other Dresden Files books, this is a lot of fun to read, mainly because it looks at Harry and his friends from a new point of view – the outside. In the six months that he’s been “away,” the people he loves have had to go on without him, and even in that short time they have become different. They have had to make choices that they wouldn’t have made while he was there, and they certainly don’t interact with him the same way they once did. Harry has to re-learn who these people are, with the understanding that his decisions did not change their lives for the better.

Then again, showy violence can be pretty cool sometimes. (Art by Dan Dos Santos)

In addition, we learn more about Harry’s past and what made him the way he is, and we finally see him start to think about whether being the person he is is really a good thing all the time. He excels in showy violence, hitting first and asking questions later, without taking a more nuanced view of the situation. Well, now he can’t hit, at least not in the ways that he’s used to. He has to look at his old ways in a new light and figure out how to get what he wants through other means.

Really, if you’ve read this far in the series, you’ll enjoy this one. Butcher continues to do a good job in giving us what we want, while at the same time showing us things that are truly unexpected. There are some wonderful moments in the book, a few exposition-heavy moments while Harry is filled in on the situation, and a good mystery to be solved. Enjoy.

——

Death should be a learning experience, after all, or what’s the point?
– Leanansidhe, Ghost Story

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Review 137: The Last Watch

The Last Watch by Sergei Lukyanenko

This review is acceptable to the forces of Light. – The Night Watch

This review is acceptable to the forces of Darkness. – The Day Watch

When I finished The Twilight Watch a couple of years ago, I thought that was it. Night, Day, Twilight, done. But when I announced that I would be doing the Night Watch trilogy as my end-of-month podcast, I got several emails from listeners who were quick to correct me. The series is not a trilogy, they said, but rather a tetralogy (okay, no one actually used this term). There is a fourth book out there, and I had no idea it existed!

Also thanks to modern technology, I can recycle images! Everybody wins!

Thanks to modern technology, I was able to get the final (as far as I know) book, The Last Watch on my Kindle and get myself up to speed.

Much like the previous volumes, this one is divided into three novellas, which all tie together into a greater plot. In the first, we are once again introduced to Anton Gorodetsky, an agent of the Moscow Night Watch. Due to the events of the last book, Anton is now a Higher Other, having been elevated by the use of the fuaran a mystical book that can create or raise Others. His abilities are far beyond most, and that makes his responsibilities that much greater.

He is assigned by his boss, Gesar, to investigate a mysterious killing in Edinburgh, Scotland. A young man, the son of a Russian magnate, has been murdered, and it looks for all the world like a vampire – a Dark Other – has done the deed. The pact between the Dark and the Light expressly forbids such actions, and the violation of treaty could lead to terrible consequences for all.

You'd think a Scottish vampire wouldn't be so hard to find....

Problem is, the Day Watch has no idea who or what killed the young man, and they’re just as hot to find the killer as Anton is. And of course, the clues don’t add up. The method of the murder doesn’t fit the M.O. of your standard vampire, and the place where the murder occurred – a horror funhouse in the middle of the city – has its own mysterious properties as well. Anton knows he’s on the right track, though, when someone tries to kill him, and he ends up fighting his way through the Twilight to get his answers. What he finds, however, is evidence that the mythical Merlin had left something in Edinburgh for safekeeping. Something truly terrible, no matter whose hands it fell into.

In the second story, Anton is sent out to Uzbekistan to find one of the greatest Others who had ever lived, a man by the name of Rustam. Almost a legend among Others, Rustam is probably the only one who can come even close to figuring out what Merlin hid, and why. But he won’t be easy to find. Anton not only has to deal with the Watches of Samarkand – which are far less efficient and well-staffed as others in Europe – but there’s still someone out to kill him. This time, though, they’re using ensorcelled humans to do the job, something that is also expressly forbidden.

It soon becomes clear that there is a small conspiracy of very powerful Others – one Dark, one Light, and an Inquisitor, who serves neither – who are trying to recover the artifact that Merlin left behind. Their reasons are unknown, but they’re willing to destroy anyone who poses a threat to them. Including, of course, Anton.

It is in the third story where the whole plan finally comes together. That three-person conspiracy is determined to get their hands on Merlin’s power, to collapse the Twilight and fundamentally change the world. If they have to kidnap Anton and threaten Moscow with a nuclear warhead to do it, then so be it. Their ends are, in their minds, wholly justified. It is up to Anton and his allies to avert this tragedy and see to it that the power they seek is never wielded by anyone ever again.

As with the other books, the great supernatural action hides a greater exploration of the fundamental differences between right and wrong, good and evil. As terrible as the Last Watch are, they are doing what they believe to be right, and even Anton can come to understand their motives at one point. But they way they go about it, through dark magic and darker murder, doesn’t nearly justify their aim. And so we see that evil done in the pursuit of good merely produces more evil.

Or how you define "Eeeeeevil."

Depending, of course, on how you define “evil.”

What’s more, there’s quite a bit of metafiction in this book. It’s clear that Lukyanenko is a fan of fantasy – he references Tolkien and Pratchett, just to name a couple of great authors. But he also knows the tropes of fantasy that have survived for so long, and makes sure his characters know them as well. When words are written on the walls, when people go in search of a great object of power or an unwinnable quest, chances are that one of the characters has read something like it in a fantasy book.

Go ahead. Write a 5,000 page epic fantasy about these guys.

At one point, when talking about how there are Others who would like to rule the world, the Inquisitor Edgar notes that it’s what people really want. It’s why fantasy is so much more popular than science fiction, he claims, because everyone dreams of being the magician or wielding the magic sword. It all makes sense, in a way that science fiction doesn’t. Anton, of course, doesn’t buy this, noting that most people who live in a Medieval Thaumocracy would be just like the peasants of long ago – poor, dirty, and dead by forty. So even in a world where magic is very real and very important, the characters know the difference between fantasy and reality in a way that we can relate to. I just find that fascinating.

It’s good fun, and a nice way to close out a very imaginative series. It’s exciting and heartbreaking and funny – with a nice hat-tip to the Night Watch movie thrown in near the beginning. What’s more, it’s a well-built magical system and society that allows for a great variety of stories and characters. Honestly, I would love to see Lukyanenko expand on this universe, or even open it up for others to play in.

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“There is very much in the world that is bad. But usually the attempt to defeat evil engenders more evil. I advise you to do good; that is the only way to win the victory!”
– Rustam, The Last Watch
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Review 136: Side Jobs

Side Jobs by Jim Butcher

“Hell’s Bells” count: 14

There’s a reason that clichés become clichés. That’s because, no matter how much we may hate them, they concisely describe some feature of human existence that is common to us all. The reason everyone uses them is because they’re just so… right, and there’s really no need for us to come up with something else. It’s like saying, “Yes, I could use a screwdriver to put together my new IKEA desk, but everyone does that. I’m going to invent my own, completely new tool instead.” So we use clichés, no matter how much we don’t want to, because there’s no reason not to.

A wizard with a gun riding a zombie tyrranosaur in the middle of a lightning storm? Puh-LEEZ. Not that old thing again... (Art by Dan Dos Santos)

Having said that: Reading this collection of Dresden Files stories is like visiting with an old friend. One of those people you’ve known for ages, never get to see often enough, and always know you’ll spend a good time with. From the moment you start reading, you know where you are, you know who you’re dealing with, and you’re ready to jump right into the story without a whole lot of character building, exposition, and the nuisance of trying to decide if this is something you’ll like to read. If you’re picking up Side Jobs, odds are that you already know The Dresden Files, and odds are that you’ll really enjoy these stories.

Most of them have been published before, in one form or another, but if you don’t follow the various anthologies that are put out from time to time, these’ll be new to you. They’re not especially necessary to understand the overall series plot, but they do help to flesh out some characters and ideas that have already been presented – and hand us a few new ones as well..

The first story, “A Restoration of Faith,” is a little rough, as Butcher himself admits. In the introduction to the story, he tells us that it was written when he was still in school, before he had really built up his writing chops and figured out his voice. And it does show, but in a kind of amusing way. As if, to continue on with our cliché of the day, you got to see the high school photos and videos of a friend you’ve only known in adulthood. It’s a little awkward and a bit weird, but you can see the person he would one day become. In the same way, we get a glimpse of the young Harry Dresden, just getting his start as a private investigator. Working with Ragged Angel Investigations to get his license, Harry finds himself in one of his classic intractable positions: find a little girl whose parents don’t particularly want her found. To make it more fun, she doesn’t really want to be found either.

The story looks at what Harry does and why he does it, and how no matter how dark the world gets, he sees himself as a person born to hold a light in the darkness. He saves the girl, of course, with his classic nick-of-time timing, and the story ends with the introduction of Karrin Murphy and a rather punny ending. It’s not really the Harry Dresden that we know, but we can see the Harry Dresden that he will become.

LARPing is like this, only moreso.

The other stories are good fun, too. In “It’s My Birthday, Too,” a story written for an anthology with a birthday theme, Harry sees the worlds of fantasy and reality collide. Violently, as usual. His brother Thomas has a birthday, and Harry has so few opportunities to do “normal” things – like celebrate birthdays – that he’s determined to see that his brother gets his present. He tracks Thomas down to a shopping mall which, after hours, plays host to a LARP club. For those of you not in the know, LARP is Live-Action Role-Playing, wherein people like I was a decade ago dress up in costumes and pretend to be vampires and werewolves and wizards and things. When done well, it’s good fun, and it’s a great way to put on another personality for a few hours. Unfortunately for this group, their session gets interrupted by some real vampires. Drulinda, of the Black Court, is out for some social revenge against her former peers, and she’s willing to kill everyone she finds in order to get it. Harry and Thomas work to bring her down, of course, while also bringing the rest of the mall down at the same time.

In “Day Off,” Harry tries to take a little bit of time for himself. With no cases to work, no calls from the Chicago police, and no official duties with the White Council, he is intent on having just one day to be somewhat normal – sleep late, go out with a girl, that kind of thing. Of course, things don’t work out that way, because he’s Harry Dresden. Instead, he ends up with a group of wannabe wizards who think they can take him on, a couple of bespelled, amorous werewolves, and an apprentice who is only moments away from blowing herself up. It’s good fun, and reminiscent of Dante in Clerks, who laments that he’s not even supposed to be there.

Of course, Michael isn't nearly this adorable.

“The Warrior” is, in many ways, a response to the readers who thought that Michael Carpenter got kind of a raw deal at the end of Small Favor. Michael had been a Knight of the Cross, a literal warrior of God, who had helped Harry fight the forces of evil many, many times. He’s very different from Harry in many ways, but their differences work well together. What’s more, Michael is a genuinely good man, of the Atticus Finch variety. He is honest, dedicated, and devoted to his friends, his family and his duty. That’s why, when he was nearly killed at the end of Small Favor and forced to give up his position as a Knight, a lot of readers were upset.

Why? Well, because horrible things aren’t supposed to happen to people as good as Michael, and yet they had. What’s more, without his strength and his sword, it was hard to see how he could continue the work that he so obviously loved. This story, then, is all about how the battle to make the world a better place isn’t always about the big fights and battles against entities of indescribable evil. It’s also about small gestures, about stopping to talk to someone when no one else will. It’s about a word or a gesture or a joke, and the way that these little things can have huge effects later. Michael may not be swinging a sword around anymore, but we know that he is still part of the fight.

Two stories that really stood out were “Backup” and “Aftermath,” mainly because they were told from the point of view of someone who wasn’t Harry Dresden. In “Backup,” we get a story told by his brother, Thomas. A vampire of the White Court, Thomas feeds off emotion, rather than blood. This doesn’t make him any less dangerous, of course. More dangerous, actually, in that so many of his potential victims give themselves to him willingly. but Thomas is trying his best to stay on the side of Good. Through his eyes, we not only get to see Harry from a new point of view, but we also get to see a lot more of a world that Harry never gets to see. Because of who he is, Harry will never really get a good look at the inner workings of the White Court and the Oblivion War – a concept that is fascinating and frustrating, because we know that Harry can never get involved in it. By telling a story through Thomas, Butcher expands the universe of The Dresden Files and makes it even more interesting.

Don't say I didn't warn you....

The other non-Harry story is “Aftermath,” which takes place after the most recent novel, Changes. Told from the point of view of Harry’s oldest friend, Karrin Murphy, it’s a look at what’s happened in Chicago in the hours after Harry’s disappearance (and presumed death). Without him (and without the now-destroyed Red Court of vampires), there is a huge power vacuum just waiting to be filled. Whether it’s the mafia or mermen, the absence of Harry Dresden is an opportunity for many. Murphy gets involved in the hunt for special people, anyone with a trace of magical nature, who are to be used for their power. Without Harry to rely on, she has to use her own knowledge and resources to save her friends. At the same time, she has to face the reality that Harry is gone, maybe dead, and that is more terrifying than all the monsters that might try to take over the city.

It’s a great collection of tales, one that’s quick to get through. If you’re just itching for the new book to come out, this should hold you over for a little while.

——————————————————
Harry Dresden. Saving the world, one act of random destruction at a time.”
– Jim Butcher, “The Warrior”
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Review 133: The Twilight Watch

The Twilight Watch by Sergei Lukyanenko

This review is of no relevance to the cause of the Light. – The Night Watch

This review is of no relevance to the cause of the Dark. – The Day Watch

This world is one that is riddled with possibilities. Even though Lukyanenko has been pretty single-minded in his themes throughout the trilogy, there’s a lot to work with here. We have two distinct groups of Others, the Light and the Dark, with different character classes, powers, abilities, levels and ambitions. If anyone wanted to write fan fiction or even a role-playing game based on the world of the Night Watch series, they would be able to let their imaginations roam free. It’s an open-ended universe, rife with possibility.

So why isn’t it is popular worldwide as, say, Harry Potter? Probably because it’s more grown-up than the Potter series, and is therefore less attractive.

Sure, Draco turned out to be faintly ambiguous, but Crabbe and Goyle? They're just bad apples.

Don’t get me wrong – I liked Harry Potter. But for all its merits, it deals with human-level issues: friendship, family, duty, loyalty. And those are all well and good, and many a great story has been told from those elements. The Night Watch series, on the other hand, deals with harder, less everyday topics, such as the nature of freedom, and the fundamental differences between Good and Evil, if there is any difference at all. The themes in these books are headier, and it’s not as easy to look at a Light Other like Anton Gorodetsky and say, “I want to be like him.” It’s also hard to look at a Dark Other like the vampire Kostya and say, “Oooh, I hate him.”

This is because these characters are, more or less, human. The problem with humans is that their motives aren’t always clear, and Lukyanenko doesn’t tell us everything we need to know to judge them properly. With the exception of Anton, who is a first-person narrator, we don’t get into their heads, and so can’t completely understand why they do what they do.

In this volume we are introduced to some new players, some grand plots and some terrible secrets. There is an Other out there who has knowledge that everyone thought was merely a myth: how to turn an ordinary human into an Other. The ramifications of such power are immense – there are few Others in the world as it is, and they hardly get along. To create new Others at will would mean chaos, death and destruction. All the Others’ forces are sent out to find this mysterious person. The Night Watch, the Day Watch and the Inquisition are in search of the impossible.

Anton Gorodetsky, of course, is on the front lines of this, searching for leads in a Moscow apartment complex. What he finds there isn’t quite the secret he thought it was, but it is something he never expected.

How about some free-market capitalism, Scarecrow?

In the second story of the volume, he meets an ancient witch, Arina, who may have single-handedly destroyed the Soviet Union’s potential for greatness. In his search to defeat her, he learns the true nature of the Others, what gives them their power and how they truly interact with the world around them.

And in the third story, the Fuaran has been found – the mythological text with the spell to convert humans to Others – and it will be used in a truly novel manner. But the Other behind the plan that could tip the world into supernatural anarchy is the last person Anton would have ever expected….

As with the other volumes, this one blurs the line between good and evil. It tells us what we already know, but don’t really want to admit: that good people can do evil things – start a bloody revolution, for example, or try to brainwash thousands of people – and that evil people can do good – save children from wolves, or avert a chaotic and terrible future. People do things for reasons that are sometimes known only to themselves, not out of a higher allegiance to the abstract concepts of “good” and “evil,” but for reasons that are intensely personal.

There are, however, times when labels work just fine.

It is something to be remembered. We have a habit of idolizing and demonizing people in this world, elevating them to paragons of virtue or sin, and ascribing motives to them that we think they acted by. But that doesn’t work. Even to the end, Anton believes he knows why the holder of the Fuaran wants to convert people into Others – to raise an army and control the world – but he’s so very, very wrong. The true reason is much more personal and, oddly, much more human than that.

That is probably the best lesson to be taken from these books. “Good” and “Evil” are tags that we affix to people because it saves us the effort of thinking about them. Behind every act, however, is a personal reason that defies such simplistic labeling. Every saint, every monster, is only human. Just like us. I don’t know if knowing that makes the world better or worse, but it at least makes it a little more familiar.

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“We weren’t meant to fly.
All we can do is try not to fall.”
– from The Twilight Watch

The Twilight Watch on Wikipedia
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Review 129: The Day Watch

The Day Watch by Sergei Lukyanenko

The distribution of this review has been banned as injurious to the cause of the Light. – The Night Watch

The distribution of this review has been banned as injurious to the cause of the Dark. – The Day Watch

The previous book left us with an unbalanced Moscow. The forces of Light gained a powerful ally in the form of Svetlana Nazarova, a potential Great Sorceress. Even before she knew she was an Other – one of that mysterious class of beings who can work magic, who can curse, bless and change their shapes – she was able to create a curse that very nearly destroyed Moscow. She, and the city, were saved through the bravery of Anton Gorodetsky and the Night Watch, who guard against the excesses of the forces of Darkness. In the end, the Light prevailed.

But this battle between Light and Dark is far from over….

Summer camp is different when Others are around

As with The Night Watch, this volume contains three books. In the first, a young witch named Alisa Donnikova has overreached herself. In a fight with the Night Watch, Alisa poured every last drop of her magical energy into supporting her fellow Day Watch members, an act of selflessness that nearly cost her her life. Burned out, she’s directed to take a break at a children’s summer camp in the Crimea. Posing as a camp counselor, she would be in a prime position to feed off the nightmares of impressionable young girls.

A word about Others and their powers. The foundation of an Other’s power comes from humans. While any Other has her own reserves to call on, she may… feed on the normal people around her. The Light Others take happiness and joy – literally. Have you ever been feeling really good, and then somehow the feeling just drains away? That’s what the Light Others do, and it powers them to no end. Much like a flowering shrub, pruning someone’s happiness doesn’t make it go away forever, and it may even come back greater, but still – in order to become stronger, the Light Others have to weaken people.

Those on the side of the Dark, on the other hand, feed off of fear and anger, but when they do, that fear and anger remain. It’s like warming yourself by the fire – as long as you keep feeding it, it’ll keep you warm. A Dark Other at the height of his power could probably super-charge himself just by going to a snowed-in airport for a day. Believe me. This stew of rage and frustration is a little too much for Alisa, however – she must subsist on the “thin broth” that is children’s nightmares.

He's a real catch, ladies!

While she’s there, however, her plan hits a snag in the form of a handsome, solid, beautiful man named Igor. Despite herself, she falls in love with him, and she falls hard.

The fact that he’s a Light Other doesn’t come up until it’s much too late.

The second story brings a mysterious figure to Moscow. Vitaly Rogoza has no memory of who he is or where he came from. All he knows is that he has to go to Moscow, and that he has power – the power of a Dark Other. Despite his personal amnesia, he has no trouble ingratiating himself with the Moscow Day Watch, and soon discovers that his power appears to have no upper limits. Why this should be, no one knows. Is he some Dark magician, beyond classification? Or is he something else entirely – something new and terrible? Whatever he is, what is his goal, and what is his link to the theft of Fafnir’s Talon, a Dark artifact of unspeakable power?

The third story brings it all together – the sad fate of Alisa Dinnokova, the theft of the Talon, and the rise and fall of the Great Sorceress Svetlana Nazarova. What’s more, the greater plans of the Light and the Dark are laid bare – and changed forever.

As before this book is heavily laden with the philosophy of Good versus Evil, Light and Dark. More importantly, it addresses the issues of freedom, a central tenet to the forces of Darkness. How free, they ask, can we really be?

The Light wants to make humanity better. They believe that, given the right influences and incentives, humanity can be great. But they need to be guided. Molded. Shaped. Consequently, the Light occasionally embarks on grand, world-changing plans, few of which actually work out the way they intend.

No one ever said freedom was nice....

The Dark, on the other hand, worships freedom. Every person, they say, should be free to choose his or her own path. If that path means doing good, then so be it. If it means doing evil, well, that’s cool too. The point is that every person is capable of deciding how their lives should be led, and no one – human or Other – should be able to take that freedom away from them.

It’s one of the oldest questions there is – how much freedom do we really deserve? And it’s a question that can never be definitively answered. But in these books, it’s fun to watch it play out.

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“There are some who think that we Dark Ones are evil. But that’s not true at all. We’re simply just. Proud, independent and just. And we decide things for ourselves.”
– Alisa, of the Day Watch, The Day Watch
————————————————

The Day Watch on Wikipedia
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Review 128: Soul Music

Soul Music by Terry Pratchett

“Music is my life.”

How many times have you heard that? From bona fide rock stars to teenage wannabes, there’s something about music that occupies us, that possesses us and just won’t let go. Even if you’re not a big music lover, there are probably songs which can ease your mind, pull you out of a dark mood, or set your heart to racing. There’s music that’ll lift your heart and make you think the world is a better place than it really is, and songs that will convince you that the dark heart of the world is just as decayed and corrupt as you always thought it was. Music has a kind of magic in it that can reach to the very core of who we are as thinking – and more importantly, feeling – beings.

That magic is dangerous enough on our world, where magic doesn’t actually exist. Imagine how powerful it would be on one where magic really was real. Like, say, to pick one out of thin air, the Discworld.

Sometimes, even more horrible things would emerge....

Of course, the Discworld has had its share of trouble with popular entertainment before. Acting troupes brought about an Elf invasion in Lords and Ladies and the Horrible Betentacled Things of the Dungeon Dimension nearly escaped thanks to the Disc’s proto-cinema in Moving Pictures. There’s just something about the arts in Discworld that leads to trouble – usually the world-ending kind.

In this case, though, the introduction of rock and roll – better known in Ankh-Morpork as “Music with Rocks In” – is only really dangerous to one person, the young Imp y Celyn. Just eighteen years old and already one of the best bards of Llamados, he wants to make something of his life. He wants to be more than just another bard, and in a mysterious shop that has only recently always been where it was, he finds his chance. Or rather, his chance finds him. A guitar-like instrument that does what no guitar should do – it whines, it growls, it sends out noises that run straight down your spine and make your nerves run with fire. It’s clearly not of this world, and it wants nothing more than to live. For that, it needs to change Imp’s fate, and by extension the fate of hundreds in Ankh-Morpork.

Soon, Imp and his band – The Band With Rocks In – are the most famous thing in the city, and the strange magic of this music is being felt everywhere. Even the wizards are helpless against it. Normally this would result in the aforementioned Horrible Betentacled Things, but in this case it’s more of a reversion to teenage years that never were. Still, Archchancellor Ridcully knows that there’s some force acting on people that shouldn’t be there, and nothing good ever comes of that.

Keith Death (art by Soulstripper on DeviantArt)

As if that weren’t enough, Death has decided to get existential and tries to figure out how he can make himself forget for a while. Why he decides to do this is not clearly explored, but it results in him leaving his duty. In his place comes his young Granddaughter, Susan, who would be great for the job if she didn’t think the whole idea of personifying a force of nature was just romantic woolly thinking. And it would be even better if she knew what her connection was to the doomed musician Imp y Celyn.

This book can be seen as a companion to the earlier Moving Pictures as an examination of and homage to popular culture. By transplanting it to the Discworld, Pratchett is able to look at rock music from the point of view of people who’ve never even thought about such a thing before, and who can more easily see the magic of it. And of course, it’s his big chance to make as many music jokes, puns and references as humanly possible, from the translation of Imp’s name (“Imp” meaning “small bud” and “Celyn” meaning ‘of the holly”) to some proto-heavy metal musicians trying to make leopard skin pants from a cat that has some severe hearing difficulties.

It’s a sort of love letter to rock and roll and all that it has brought us. From teenyboppers to punk to the horrible misuses of leather and spandex, it holds a mirror up to the way that rock music has influenced our modern culture. But it does not mock, oh no. It shows great attention to and reverence for this young art form that has done so much to change the world. To list all the references made in this book would be nearly impossible, but the amount of work and thought that went into making it is quite clear.

We're not here to judge.

More importantly, though, the book addresses some questions that are a little deeper than the simple rock and roll jokes. Like Death’s question: “WHAT’S IT ALL ABOUT? SERIOUSLY? WHEN YOU GET RIGHT DOWN TO IT?” Probably since the beginning of music, people have tried to find meaning in it. People have connected to music and to musicians in ways that they could never connect to other people, even family and friends. People find meaning in music, which then gives meaning to their lives, and the more you give your life to something, the harder the crash when that thing goes away. Imp discovers this in a very literal sense, but out here in the real world that is just as true.

People mourned for Michael Jackson, Elvis Presley, Kurt Cobain and other superstars as if they knew them. And in a way, I’m sure they thought they did. Like so much else in the world, though, music doesn’t have any meaning but what we give to it. The truly great musicians, the ones we always lose too soon, give everything they have. They manage to say to us what we’ve been saying to ourselves, but could never really figure out how to put into words. Music is the voice our emotions could use if our brains didn’t get in the way so often, and the best people lucky enough to be able to create it gain a kind of immortality.

Not the literal kind, unfortunately.

If you love music – especially rock music – then this is a book you should pick up and read. Even if you’re not a Discworld fan, you’ll probably enjoy it.

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This was music that had not only escaped, but had robbed a bank on the way out. It was music with its sleeves rolled up and its top button undone, raising its hat and grinning and stealing the silver…. It made you want to kick down walls and ascend the sky on steps of fire. It made you want to pull all the switches and throw all the levers and stick your fingers in the electric socket of the Universe to see what happened next. It made you want to paint your bedroom wall black and cover it with posters.
– from Soul Music by Terry Pratchett
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Filed under death, Discworld, fantasy, humor, identity, music, rock and roll, satire, Terry Pratchett, wizardry