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Review 116: Song of Susannah

Song of Susannah by Stephen King

I think that every long series has to eventually include a book like Song of Susannah. It’s the weak book, the one that you have to have, but would rather you didn’t. The one that pretty much exists to get you from Point A to Point B, which resolves some earlier issues and sets up some later conflicts, but which – by itself – isn’t nearly as good or as much fun to read as the books that either preceded or followed it. I call it a “bridge book,” and I suspect that they are somewhat inevitable.

But before getting into all the heady analysis ‘n stuff, let’s see what this book is about.

Book art by Darrel Anderson

Directly following the end of Wolves of the Calla, our ka-tet is split. Susannah, possessed by that strange spirit who calls herself Mia, has taken the supremely powerful Black Thirteen and used it to open a magic door to New York. It is there that she hopes to have her child and have the raising of it, before it grows up to destroy the world. Everyone else, of course, is concerned for her safety, but there is one other thing that needs to be done – the vacant lot in Manhattan and the rose that grows there must be protected. This rose represents one of the two Beams that remain to hold up the Dark Tower (and thus all of existence), so its safety is paramount.

The other Beam just happens to be Stephen King himself. But we’ll get to that….

Roland’s party splits up – Roland and Eddie go to rural Maine to find Calvin Tower and secure proper ownership of the vacant lot. Jake, Oy, and Father Callahan follow hot on Susannah’s heels to New York City to try and save her from the horrible death that no doubt awaits her there. Horrible death awaits all of them, truth be told, but one does what one must in pursuit of the Tower.

Jake, Oy and Callahan’s story is the far more straightforward one. They go to New York and follow Susannah/Mia’s psychic trail to Black Thirteen, which they dispose of in a manner that should bring a grim smile to all 21st-century Americans. They then go on to the Dixie Pig, a restaurant-slash-portal to a dimension of hell and pain, where they expect to be gunned down the moment they go through the doors. Pretty cut and dried, really.

Roland and Eddie, however, have the much more mind-bending task of meeting their maker. Literally.

Book art by Darrel Anderson

As a side-quest to securing legal possession of the vacant lot, they learn that King lives nearby and decide to pop in and pay him a visit. This kind of freaks King out, but rightfully so. To him, Roland is a character who haunted his mind, and a few pages of a manuscript that has languished in storage for years. King had given up on The Dark Tower, and never expected to pick it up again. Until, of course, its main character showed up, insisting that his story be finished.

To me, this was the most interesting conceit of the entire series. The idea of characters breaking through the fourth wall and entering “the real world” is nothing new, nor is having them ask some rather pointed questions of their creators. But it’s another thing for those characters to not only meet their creator, but to do so before he’s actually written about them up to the point where they’re meeting him.

(re-reads that last sentence)

Right.

In short, not only is King the embodiment of one of the last Beams holding up the Dark Tower, he is also an avatar of Gan, the primal force of order and righteousness in the universe. Through King, and the story of Roland and his ka-tet, Gan is trying to keep the Tower up against the forces of Discordia, as embodied by another King, the Crimson King. These two Kings – one unknowing, the other knowing – are locked in a fight to the death, with the universe at stake.

Book art by Darrel Anderson

Throughout all of this, Susannah is having her own troubles in New York. Mia has gained control of her body – to the point where she is able to manifest the legs that Susannah lost long ago – and is determined to have her child. She has an appointment to keep with the agents of the Crimson King, and she believes that she will finally achieve that holy state for which she had gladly given up her immortality – motherhood. Susannah, on the other hand, knows that whatever is brewing in Mia’s belly is a threat to Roland, and will do whatever she can to stop the birth, or at least turn Mia against her chosen destiny.

Depending on the kinds of books you like reading, Song of Susannah will either be tolerably good or downright unpleasant, and this is mainly due to its rather fractured structure. The three plot threads don’t intersect directly once everyone leaves the Calla, and don’t have any kind of resolution once you get to the last page of the book. As a friend of mine put it, “There’s no ‘there’ there.”

The other volumes, like most standard-issue novels, has a resolution at the end. You can close the book and be able to tell people, “The characters achieved this, and it was fairly conclusive and interesting.” Of course, a series always has a greater conflict – the series-level conflict – that won’t be resolved until the last volume, but each individual book needs to have its own setup, conflict and resolution, with enough loose ends to get us into the next book.

Song of Susannah doesn’t really do this. The matter of the vacant lot is a fairly simple legal matter, which is not only easily resolved but also kind of dull, once you compare it to everything that has gone before. The problem of Black Thirteen is done away with pretty easily as well, which doesn’t really befit an artifact that we have been told possesses immense evil power. And while Susannah doesn’t prevent Mia from making her appointment at the Dixie Pig, she does manage to plant the seeds of doubt in the woman’s mind.

Art by Klaimko

In short, what is achieved in this book is not up to the level of what we have come to expect. The dramatic escape from the decaying city of Lud, the horrible tragedy of Roland and Susan in the Mejis, the valiant stand against the Wolves – all of these are proper climaxes and proper resolutions. The sole purpose of this volume is to bridge the gap between Wolves of the Calla and The Dark Tower, and the only reason it ended where it did was because, well, you have to end it somewhere.

Having said all that, I enjoyed reading this book, and tore through it at record speed. I thought Susannah’s chipping away at Mia’s confidence was well-handled and made a lot of sense. Jake, Oy and Callahan preparing for their Last Stand and their likely deaths was great, and the whole meta-fictional issue of characters meeting with their creators is just the kind of thing that really digs into my brain and gets it going. And while the book may have been less carefully focused than the other editions of the series, it must be remembered that I am a long-time veteran of the Wheel of Time series, which has so many sub-plots, side-plots, secondary plots, divided parties, prophecies, histories, secrets, societies, ancient enmities, mythical forces, Artifacts of Unimaginable Power, questionable plot elements and unanswered questions that it makes The Dark Tower look like one of Aesop’s fables.

So I do have an unfair advantage.

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“I don’t think he needs to be immortal. I think all he needs to do is to write the right story. Because some stories do live forever.”
– Roland (speaking of Stephen King), Song of Susannah
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Song of Susannah on Wikipedia
The Dark Tower Portal on Wikipedia
Stephen King on Wikipedia
The Dark Tower homepage
Song of Susannah on Amazon.com

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Filed under adventure, Dark Tower, death, fantasy, horror, meta-fiction, quest, Stephen King, survival, vampires, world-crossing

Review 111 – Wolves of the Calla

Wolves of the Calla by Stephen King

Okay, before we get into this book, let me take a little survey: Have you ever seen The Seven Samurai? How about The Magnificent Seven?

The Three Amigos? GalaxyQuest?

If you’ve seen these movies, and any number of stories like them, then you know the basic outline of this book. Say it along with me now….

'We deal in lead, friend.' - Vin

Calla Bryn Sturgis, a small farming village on the far end of the world, is notable for a few things. Its rice, its peaceful people, and its abundance of twins. The farmers of Calla Bryn Sturgis want nothing more than to live their lives in peace, but their idyllic existence is threatened by invaders from the east.

They come from the evil town of Thunderclap, once a generation – the Wolves. Armored and cloaked in green, riding identical deathless gray steeds and armed with terrible weapons, the Wolves come to Calla Bryn Strugis to steal one child from every set of twins. They take them to their dark city, and when the children come back, they come back as damaged goods. “Roont,” the Calla-folk call them, and it’s an apt word for they are ruined indeed. Over the years, these children, whose minds have lost all of their intelligence and humanity, grow into pain-wracked giants, and then die horrible deaths years before their time.

No one knows why the Wolves come, and no one has ever even considered trying to stop them. Until now.

Word has come that Roland and his ka-tet – Eddie, Susannah, Jake and Oy – are in the area, and if anyone can stop the Wolves, it would be Gunslingers. If the people of Calla Bryn Sturgis can convince them to help, and are willing to fight alongside them, then they have a chance to repel the Wolves once and for all.

If only it were that simple.

'Once more, we have survived.' - Kambei Shimada

Interlaced with this this pretty straightforward tale is, of course, the larger story of the quest for the Dark Tower and the fight against those for whom the Wolves are merely agents. A new warrior in this fight is Father Donald Callahan, whom we last met way back in ‘Salem’s Lot as a broken and ruined priest, damned by a vampire king and sent out into the world to live or die as he pleased. Through his damnation, Callahan has found himself able to see things he shouldn’t be able to see, including the various classes of vampires and the Low Men – agents of the Crimson King who serve His interests in the various levels of the Tower. Callahan discovers a knack for traveling through the Americas along secret highways. In his ramblings from coast to coast, looking for peace – or death – he slips from one version of America to another, never knowing how or why.

In the end, he brings himself to the attention of forces far greater than himself. It leads to his death and reappearance in Roland’s world, but more importantly it puts him in possession of an object of great power and even greater peril – Black Thirteen, an inky sphere that could be the black eye of the Crimson King himself, and which has the power to send its bearer through a door to any point in space or time.

Roland and the others are going to need that door, too. While they’re busy planning their battle against the Wolves in Calla Bryn Sturgis, they have another fight to win, in another world. In New York of 1977, there is a vacant lot, and in this lot is a rose. The rose must be protected at all costs, for it is the other end of the Tower – one axis upon which all the worlds turn. This lot is in great peril, and it is imperative that our heroes keep it safe. By whatever means necessary.

'Oh GREAT!!! REAL bullets!!!' - Lucky Day

It’s a really good tale, and one that is actually better than I remember it being. The first volume after King’s near-fatal accident, it’s all put together very neatly, while getting us set up for events to come, even if some of them aren’t entirely clear, or seem a little random at first glimpse. For example, Roland discovers that he’s beset by the Dread Foe Arthritis. As it is now, it’s making him kind of achy, but should it spread to his precious shooting hand, then it’s all over for him. Why King decided to afflict Roland with something as mundane as arthritis isn’t entirely clear (although to be fair, Roland is technically over a thousand years old and could be considered due for a few of the ravages of old age).

Perhaps it is a sign of Roland’s encroaching humanity. In The Gunslinger, mention is made of his ability to detach himself from his body somewhat so as not to feel thirst. In that book, he is largely mechanical, only showing any kind of real emotion when he finally faces the Man in Black. Over the course of the series, Roland has become more tuned into what it means to be a person and to feel, y’know, feelings and things. This gives him the bond with his ka-tet that he needs, but it also comes with a price. Perhaps the arthritis is the first price he must pay for allowing himself to feel.

Mention must also be made here of poor, beleaguered Susannah. I mean Detta. Odetta. No, wait – Mia.

'Never give up, never surrender!' - Jason Nesmith

Out of the seething cauldron that is this poor woman’s mind, a new personality has emerged. Mia, Daughter of None is still something of a mystery to us. As far as we know, she has only one ambition – to protect the child growing in her belly. This child was not fathered by Eddie Dean, Susannah’s beloved husband, but by the cold and unnatural demon that Susannah held at bay while the two men pulled Jake from his world to theirs. Growing within her now is something horrible, something that Mia was born to protect, even at the expense of the body she inhabits. Right now, that’s all that she is, and her greater purpose is yet to be revealed.

King does a pretty good job of juggling the various plot lines in this book, making sure that we aren’t left hanging for too long on any of them. Of course, they feed into each other as well – Father Callahan’s tale interweaves itself with the story of New York in ’77, and its ultimate conclusion allows the plot to progress through this book and into the next. I actually enjoyed Callahan’s story a great deal, and thought it would have made for a wonderful stand-alone short story. Not a novel, as there’s a whole lot of “I walked around for a few years and did manual labor” in there, but the story that he told to Roland and the others would have stood on its own quite nicely. He’s an interesting, complex character, and I look forward to seeing what awful thing happens to him next.

What’s more, there’s a wonderful meta-fictional element to this book as well, and it introduces that idea of a story that is aware of itself being a story. For example, in the beginning of the book, Eddie notices that time has started up again. While it is true that time, like everything else in this world, is unreliable, I found it interesting that he should make mention of it at that point, right when their story starts up again after a break (from our point of view) of six years. From the characters’ points of view, on the other hand, the time between books is indeterminate, but Eddie notices that they don’t seem to really do anything in that intervening time. It made me wonder about what happens to fictional characters when they’re not being written about, a train of thought for which I am not adequately medicated.

Think about it....

More importantly, the impact of real-world fiction becomes painfully obvious in this book. For one, Stephen King is established as an as-yet-unseen character, which comes right on the heels of a very serious existential crisis for Father Callahan. The Wolves themselves are explicitly noted to be rip-offs – er, homages to fictions ranging from Marvel Comics to Harry Potter. Whatever else Roland’s world is, it has a very close connection with the fiction of our world, and that connection may offer important clues as to the true nature of their quest.

So, what purpose does this book serve in the greater series? Well, there are many out there who see Roland’s quest as being not so much for the Dark Tower as for redemption. After the loss of his love, his friends, his family and his homeland, Roland made himself into something that was only technically human. Over these books, he has had to learn how to re-connect, first with individuals, then as a small group, and now with a community. In this book, Roland has to come to grips with Calla Bryn Sturgis not just as a hired gun but as their leader, if only temporarily. He has to see himself as part of a greater whole, thus becoming – as I mentioned above – more human. Each book forces him to be more and more connected with those around him. The only question is if he can hold on to this new humanity before his quest for the Tower destroys him.

All in all, a good read, which moves ever-so-smoothly into the next book….

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“First come smiles, then comes lies. Last is gunfire.”
– Roland, Wolves of the Calla
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Wizard and Glass on Wikipedia
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Stephen King on Wikipedia
The Dark Tower homepage
Wizard and Glass on Amazon.com

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Filed under adventure, Dark Tower, death, fantasy, fathers, friendship, horror, meta-fiction, murder, quest, revenge, robots, sons, Stephen King, survival