Tag Archives: disease

Review 35: The Andromeda Strain


The Andromeda Strain by Michael Crichton

Michael Crichton passed away recently, so I thought he would be a good choice to read. I know there are people who have problems with Crichton – his later books revealed some distinct political leanings and display very clear biases, the most obvious of these being State of Fear, in which he attacks the environmentalist movement’s support of global warming. His attacks are blatant, and even though the novel is said to be a good read, it’s burdened by the obvious slant of the author.

It’s tough to know what to do with authors who inject their own personal morality into their works. Some of them, like Heinlein, do it in such a way that it’s not a distraction – it’s Heinlein. Others, such as Orson Scott Card, are so vocal in their political opinions that they risk losing a large portion of their readership. In this situation, you have to make a decision: read the book for the story or read the book for the author’s politics? Or don’t?

I take the same route here that I do with actors, musicians and other artists who make their political and social views known. I disregard those views and just judge their work on its own merits. It’s not that hard to do, really….

Anyway, I remember seeing this movie for the first time, and it scared the hell out of me. Not in the same way that my childhood slasher films scared me, of course. In those, there was always someone – Jason, Freddie, Michael – who was lurking behind curtains, waiting to turn you into steak tartar if you were foolish enough to have sex in the camp counsellor’s cabin. But at least they were human (sort of), and they had motivations, however insane these motivations were.

In this book, we are not facing a psychopath with a chainsaw. It’s something more terrible and more impossible to deal with.

The premise – The US space program, in an attempt to figure out exactly what is lurking in the upper atmosphere, has been sending up special satellites – the Scoop satellites – to sample the air up there and then return so that scientists can do what they do best. The theory was that if we were to encounter extraterrestrial life, the odds are that it would be some sort of simple organism rather than a four-foot grey humanoid.

People like Carl Sagan seemed to support this theory, and Crichton makes a very good case for it through his characters. Radio waves attenuate, even light pulses can’t last forever – but build an organism that can survive indefinitely in space? That is an excellent way of telling the rest of the universe that you’re out there. A microbe needs a lot less to keep it going than your average movie E.T., so it would be reasonable to assume that it would make an excellent message in a bottle in a vast and harsh cosmos.

Back to the book – most of these satellites went up and came down without incident, but one – Scoop VII – had some unexpected problems and crashed in the American southwest, just outside a small town called Piedmont. The good citizens of Piedmont, wanting to know what it was, brought it home to have a look.

Within eighteen hours, nearly everyone in Piedmont was dead. The lesson? Never go near something that comes screaming out of the sky. Yes, it might give you super-powers, but odds are that it’ll kill you.

The government, always looking for the worst case scenario, had planned for this, and put Project Wildfire in action. Wildfire called for a team of scientists with varied backgrounds to be brought to an isolated lab in Nevada. Scoop would be brought there, and they would attempt to unravel the mystery of what killed the people of Piedmont.

The story sounds pretty simple, and Crichton makes a point of saying that, ideally, there should be no story to tell. Wildfire facilities are insanely well-guarded, and the design of the complex itself is nearly foolproof against something escaping – to the point that, if the facility becomes insecure, it will be vaporized in a nuclear explosion.

As usual, Crichton is meticulous in his science. The book has a bibliography in the back with 58 references to justify his use of x-ray crystallography, culture growth, electron microscopes, and other theories. The point is, he is saying that the incident in The Andromeda Strain could happen. Maybe. And it is possible that, despite our best planning and efforts, we might not be able to stop it.

This brings up the question: is this really science fiction? Well, yes, because A) it’s fiction and B) the story is dependent on the science. But it’s not science fiction in the way that we’re familiar, since very little of it is actually fictional. Most of the technology is extant, and the tech that is a little more outlandish is certainly within our ability to create. The only thing that is really speculative is the Andromeda organism itself. And even given that, the story is not so much about the organism as it is about the race to figure out what the organism is – it’s about the scientists, not the science.

Where the actual story comes in is with the introduction of Mistakes. A simple malfunction in a piece of communications equipment. A medical problem that is hidden until it is too late. Miscommunication and assumption abound, which is what makes this book interesting. Otherwise, it would just be a matter of the scientists trying to figure out what this wee beastie that hitched a ride on Scoop can do, and why. Perhaps it’s not so much science fiction as it is scientific fiction. If that makes any sense….

Indeed, the silly humans are saved from worldwide extermination by virtue of the microorganism’s own nature, oddly enough. This isn’t The Stand – Crichton didn’t set out to write an End of the World story. He wanted to talk about science and what might happen if an unknown pathogen should appear from the darkest regions of space.

As I said before, this is what makes it so terrifying. The villain of this story is a bacteria. We don’t know where it comes from, how it works, or why. It has no ambition, no plan. It is not hostile, malicious, or vindictive. It can’t be bargained with or tricked.

Perhaps that is why disease stories are so interesting. On the one hand, they point out how vulnerable we really are to something we have never encountered. On the other hand, they show how sometimes, just sometimes, we can avert disaster with the ingenuity that keeps popping up in humanity.

So – it’s well-written and well-researched, not to mention a sci-fi classic. The movie’s pretty good as well, and sticks relatively close to the book. Either are recommended.

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“He [Stone] often argued that human intelligence was more trouble than it was worth. It was more destructive than creative, more confusing than revealing, more discouraging than satisfying, more spiteful than charitable.”
– Michael Crichton, The Andromeda Strain
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Michael Crichton on Wikipedia
The Andromeda Strain on Wikipedia
The Andromeda Strain on Amazon.com
NASA’s Exobiology Branch

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Filed under disease, made into movies, Michael Crichton, science fiction

Review 20: The Doomsday Book

The Doomsday Book by Connie Willis

I honestly can’t count the number of times I’ve read this book. I think this is the fifth time. Or maybe the sixth, I don’t know. It doesn’t really matter, because it’s just as enjoyable, touching and heartbreaking as it was the first time I read it, and that’s a hell of an accomplishment.

It is the middle of the 21st century and time travel has finally been worked out. A reliable there-and-back-again way to go into the past and come back to the present. Unfortunately, there are limitations. The computer that makes time travel happen, through means I’m not sure even Ms. Willis understands, will not allow for a paradox. This means if you try to go to the past with anachronistic technology, or carrying a disease that could wreak havoc on the population, the interface simply won’t open. If you try to place a traveler somewhere where their appearance could cause a paradox, the machine will put them in another place or time – a factor called “slippage” which can put you anywhere from five minutes and a few feet off your mark to years and miles. The machine won’t allow you to get anywhere near events of importance.

Secondly, the machine won’t allow you to take anything through the net. So if you travel to, say, Napoleon’s palace and try to rob him blind, the interface won’t open until you’ve got rid of all your booty.

Those two factors alone made the time machine economically useless. If you can’t profit off it – or change it – what good must it be?

A lot of good, as it turns out, if you’re an historian. While the machine may not allow you to get anywhere near Hitler, it will allow you to see what life was like in the ghetto in the 30s. The whole of history suddenly became open to real discovery, and places like Oxford were at the forefront of the research.

One student, a young lady named Kivrin, has a dream to see the Middle Ages. Despite all the warnings that it was full of filth, disease, superstition, danger and death, she still wants to see it more than anything in the world. The sheer force of her will finds her in the machine, ready to go to the year 1320 to see firsthand what life was like for the average English citizen. She has prepared herself as best she could, but nothing could possibly prepare her for the time and place she ends up in….

And in the present, a new plague has spread around Oxford. It’s a new type of flu that seems to have come from nowhere, and it’s started to kill. Kivrin’s teachers and friends have to race the disease, time and sheer bloody-minded bureaucracy to try and find her and bring her back safely.

What is remarkable about the book is the detail. Willis has obviously done a lot of research into not only Medieval Oxford but modern Oxford as well. Since one of the themes of the book is that we don’t know nearly as much about the past as we think we do, Willis has gone to great lengths to make sure that we – through the eyes of Kivrin – never know what to expect because our expectations are all totally wrong. And as is so often true about history, the more we know about it, the more interesting it becomes.

The Oxford of the future, by contrast, isn’t all that futuristic. It looks a lot like the modern world, probably because it’s only a couple of decades removed from us. Sure, there have been advances in technology, but the lives of the people aren’t much different from ours.

Interesting note: the book was published in 1992, well before the age of cell phones, instant messaging and the internet. Because of this, one of the greatest hindrances to getting anything done in this far-future Oxford is that no one can get anyone on the phone. It’s a videophone, yes, but most of the characters spend time waiting for phone calls to come through or trying to place calls to people who aren’t near a terminal. It’s a bit strange, from my modern perspective, to see a world that has pretty much conquered disease and mastered time yet never figured out a means of personal communication better than a land-line.

That’s just a small thing, though, and as long as you accept that particular bit of alternate-future, you’ll be okay. It’s a fantastic book, one which I recommend without reservation. The characters are deep and interesting, and the writing really puts you in their world. Seriously. Go get it.

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“Mr. Dunworthy, ad adjuvandum me festina.”
(“Mr. Dunworthy, make haste to help me.”)
– Kivrin, The Doomsday Book
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The Doomsday Book on Wikipedia
Connie Willis on Wikipedia
The Doomsday Book on Amazon.com
The 11th-Century Domesday Book at Wikipedia
The Domesday Book online

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Filed under Christmas, Connie Willis, death, disease, England, science fiction, survival, time travel

Review 17: The Stand

The Stand by Stephen King

It’s hard to know where to begin when writing about this book, probably because I work under the assumption that everyone has read it. I mean,. I’ve probably owned at least four different copies over the years, and it occupies a permanent place on my bookshelf. I can’t imagine anyone not having read it. But I guess that’s what everyone thinks about their favorite books, so I’ll fill in those of you who haven’t.

It’s the end of the world. Not in the horrible confluence of blindness and carnivorous plants, or in the fiery desolation of nuclear war. The world dies in a more unpleasant way than that, and it all begins in Project Blue – a US military lab in the southwest. There they’ve built the greatest plague mankind has ever known, a shapeshifting flu virus that is 99.4% communicable and 100% lethal. Its intended use was probably against the Soviets or some other enemy state, but… Things fall apart, the center cannot hold, as Yeats said. And on June 13th, 1990, the superflu got out.

It was carried by Charles Campion and his family, spread throughout the southwest until Campion died in a gas station in Arnette, Texas. From there it hopped into the men gathered at the station, who passed it on to nearly everyone they met.

By June 27th, most of America was dead. And thanks to the final command of the man in charge of Project Blue, the virus was spread around the world as well. By Independence Day, the population of the world – that which by some strange genetic luck was immune – was reduced to less than the pre-plague population of California.

Of course, not everyone who was immune escaped unscathed. There were accidents, mishaps and murders that probably brought the number down, but not by much. Scattered survivors struggled to understand why they lived when so many had died, and started to seek out others like them.

And then came the dreams. An ancient woman, living in a cornfield. She radiates goodness and compassion (and still makes her own biscuits). Mother Abagail is the beacon of hope for those who see her in their dreams. And then there’s the other, the Dark Man, the Walkin’ Dude, whose shadow brings madness and whose gaze brings death. He is Randall Flagg, a man whose time has come ’round at last. Just as Mother Abagail attracts the good and strong, so does Flagg attract the weak and frightened. Around these two do the remains of America come together. And neither one can let the other exist without a fight….

What keeps bringing me back to this book? Well, a lot of things. For one, the writing. King has said that he’s a little disturbed about The Stand being the fans’ favorite – it means he did his best work thirty years ago. Not entirely true, I think, although I am hard pressed to say which of his other books exceeds it. King’s sense of scale as a writer is outstanding. We get into our characters dreams, in their innermost secret thoughts, and then a few pages later are presented with an overview of what’s happening around the nation. It’s like being able to go, in Google Maps, from someone’s bedroom all the way out into space. He dances between characters smoothly, so just when you get to the point where you’re thinking, ‘Yeah, but what’s Flagg doing?” he brings you there.

And speaking of the characters, they’re people who will stay with you long after you finish the book. The quiet confidence of Stu Redman, the single-minded madness of the Trashcan Man, Larry Underwood’s late maturity, Lloyd Henreid’s devotion, Fran Goldsmith’s determination…. Each character rings true. Even the ones who really shouldn’t have ended up the way they did – and I’m thinking of Harold and Nadine here – you can’t help but find bits of them to love. Had they been strong enough, Harold and Nadine never would have gone as bad as they did, and I think even King kind of had a hard time making them do what he wanted.

Underlying all this, of course, is a kind of Old Testament religiosity. The God of Mother Abigail is not the kind and friendly God of the New Testament, He is the angry one of the Old. He is the God who will gladly wipe out nearly all of mankind to prove a point, and will make a 108 year-old woman walk into the desert by herself because she’s getting a little too uppity. In this world, at least, God is most definitely real, even though His purpose is hard to understand.

I could go on. Thesis papers could probably be written about this book, and I reckon they already have been. But that’s not why I do these reviews. I do them because I want y’all to know what’s worth reading.

This book is worth reading.

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“Show me a man or a woman alone and I’ll show you a saint. Give me two and they’ll fall in love. Give me three and they’ll invent the charming thing we call ‘society’. Give me four and they’ll build a pyramid. Give me five and they’ll make one an outcast. Give me six and they’ll reinvent prejudice. Give me seven and in seven years they’ll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.”
– Glen Bateman, The Stand
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The Stand at Wikipedia
Stephen King at Wikipedia
The Stand at Amazon.com

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Filed under apocalypse, death, disease, fantasy, good and evil, horror, made into movies, society, Stephen King, survival, war